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Two Masks. Deep Cover is directed by Bill Duke and written by Michael Tolkin and Henry Bean. It stars Larry Fishburne, Jeff Goldblum, Charles Martin Smith, Victoria Dillard and Gregory Sierra. Music is by Michel Colombier and cinematography by Bojan Bazelli. Traumatised as a youngster by the death of his junkie father, Russell Stevens (Fishburne) becomes a police officer. Passing an interview with DEA Agent Gerald Carver (Smith), Stevens goes undercover to bust a major drug gang that has links to high places. But the closer he gets in with the targets, the deeper he gets involved - emotionally and psychologically. A splendid slice of gritty neo-noir, Deep Cover follows a classic film noir theme of a man descending into a world he really shouldn't be part of. This is a shifty and grungy Los Angeles, awash with blood money, single parents prepared to sell their kids, where kids in their early teens mule for the dealers and get killed in the process. A place of dimly lighted bars and pool halls, of dank streets and scrap yards, and of course of violence and misery. The look and tone of the picture is as intense as the characterisations on show. Duke (A Rage in Harlem) knows some tricks to imbue psychological distortion, canted angles, step-print framing, slow angled lensing, jump cuts and sweaty close ups. Bazelli photographs with a deliberate urban feel, making red prominent and black a lurking menace. While the musical accompaniments flit in between hip-hop thunder and jazzy blues lightning. Fishburne provides a narration that works exceptionally well, harking back to classic noirs of yesteryear. As this grim tale unfolds, his distressingly down-beat tone goes hand in hand with the narrative's sharp edges. The screenplay is always smart and cutting, mixing political hog-wash and social commentary with the harsh realities of lives dominated by drugs - the users - the sellers - the cartel, and the cop going deeper underground... Great performances from the leading players seal the deal here (Goldblum is not miscast he's the perfect opposite foil for Fishburne's broody fire), and while some clichés are within the play, the production as mounted, with the narrative devices of identification destruction (hello 2 masks) and that violence begets violence, marks this out as one the neo-noir crowd should note down as a must see. 8/10
Three intertwined stories about Serbian truck driver who is involved into drug trafficking without knowing, Czech family who live by the road which makes them a lot of troubles since many cars crash into their house, and a bus full of Swedish grannies who go on a Trans-European package holiday.
The Corpse had a Familiar Face is a 1994 American TV-Movie with Elizabeth Montgomery, playing Edna Buchanan, a Miami's criminal journalist.
When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, young rookie Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.
After New York City firefighter Terry Lynch is unable to receive any compensation for an injury incurred during the off-duty rescue of a young girl, he grows suicidal. Furious, his brother Jimmy attempts to have Mayor Tyler intervene, but the corrupt politician instead denounces Terry as a drunk. Determined to get justice, Jimmy begins a graffiti campaign of embarrassing slogans mocking the mayor, which soon captivates the city.
After Police Captain Dan McLaren becomes police commissioner, former detective Johnny Blake publicly punches him, convincing rackets boss Al Kruger that Blake is sincere in his effort to join the mob. "Bugs" Fenner, meanwhile, is certain that Blake is a police agent.
Charlie Cox should have stopped for gas in California. While he's on a cross-country trip with his teenage daughter, Joleen, his car hits empty in a creepy town in Nevada. With nary a drop of fuel to be found, Charlie and Joleen stop for the night at a dilapidated trailer park. There, Joleen catches the eye of two teenage boys, Jimmy and Pinky - either of whom could be the serial killer currently terrorizing the town.
Harry Griswald is a NYPD cop who is possessed with the spirit of a great Kabuki master. This has made him 'the chosen one' to do battle with 'the evil one'. He is also out to do good deeds and fight crime in the name of the law. The only problem is that a number of corrupt people in the community and their henchmen want him dead so that they can gain power when 'the evil one' come to take over the world. Sgt. Kabukiman must use his special superpowers to outsmart and out-fight the bad guys.
Steve Grey, reporter for the Daily Star, has a habit of scooping all the other papers in town. When Henry Mander is investigated for the murder of his shady business partner, Grey is one step ahead of the police to the extent that he often dictates his story in advance of its actual occurrence. He leads the police through an 'open and shut' case resulting in Mander being tried, convicted and sentenced to death. Columnist Mary Shannon is in love with Steve but she sees him struggle greatly with his last story before Mander's execution. When she starts typing out the story from his recorded dictation, she realizes why.
A tourist witnesses a murder and finds herself caught up in a series of bloody killings.
Anne Marie Fuchs investigates for the first time on behalf of the Federal Office for the Protection of the Constitution. Together with her fellow detective Youssef El Kilali , the experienced team sets out to solve two murders. But can they also stop the espionage attack on the Federal Office for the Protection of the Constitution?
For devilishly mad "astro-scientist" Dr. DeMarco (John Carradine), a typical day involves run-ins with reanimated corpses, bloodthirsty solar-powered killer robot zombies, Chinese communist spies and vicious Mexican secret agents. But when a bloody trail of young female murder victims leads an intrepid CIA agent to his door, things get really interesting. Ted V. Mikels directs this unique B horror-thriller.