The Royal We 2025 - Movies (Mar 2nd)
Uppercut 2025 - Movies (Mar 2nd)
I Want to Violently Crash into the Windshield of Love 2024 - Movies (Mar 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Fight or Flight 2025 - Movies (Feb 28th)
My Hero Academia Youre Next 2024 - Movies (Feb 28th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 28th)
Marked Men Rule + Shaw 2025 - Movies (Feb 28th)
The Golden Voice 2025 - Movies (Feb 28th)
Raduaa Returns 2024 - Movies (Feb 28th)
Cold Wallet 2024 - Movies (Feb 28th)
Bookworm 2024 - Movies (Feb 28th)
The Thinking Game 2024 - Movies (Feb 28th)
Gladiator II 2024 - Movies (Feb 28th)
Finding Tony 2024 - Movies (Feb 27th)
Captain America Brave New World 2025 - Movies (Feb 27th)
Kraven the Hunter 2024 - Movies (Feb 27th)
Red One 2024 - Movies (Feb 25th)
Watson - (Mar 3rd)
Suits LA - (Mar 3rd)
Evil Lives Here - (Mar 3rd)
90 Day Fiance - (Mar 3rd)
Krapopolis - (Mar 3rd)
The Great North - (Mar 3rd)
Grosse Pointe Garden Society - (Mar 3rd)
Family Guy - (Mar 3rd)
The White Lotus - (Mar 3rd)
Tracker - (Mar 3rd)
Grimsburg - (Mar 3rd)
Home Town - (Mar 3rd)
Tournament of Champions - (Mar 3rd)
Snapped- Killer Couples - (Mar 3rd)
The Equalizer - (Mar 3rd)
Deadline- White House - (Mar 3rd)
The Sunday Show with Jonathan Capehart - (Mar 3rd)
Prosecuting Evil with Kelly Siegler - (Mar 2nd)
Love Your Weekend with Alan Titchmarsh - (Mar 2nd)
Call the Midwife - (Mar 2nd)
Green lights dance across a star-filled sky, and snowflakes sparkle on the trees. It is little wonder Lapland is famous as a realm of elves and flying reindeer, the magical home of Santa Claus. This northernmost region of mainland Europe, however, is a real place, with real animals such as reindeer, Great Gray owls, wolverines, eagles, wolves, musk oxen and Brown bears who live out their lives in the tundra and forest.
A story about Europe´s largest terrestrial mammal and their potential return to Swedish forests. The audience also meets Rikard, the main caretaker of Avesta Visentpark and who shares his inner reflections and hopes regarding the future of the European bison.
Every winter in a cemetery near Stockholm, activists gather to keep the memory of Fadime Sahindal alive. A Kurdish immigrant to Sweden who was murdered by her father in 2002, Fadime has become an international symbol of the debate over cultural traditions that accept the use of violence to control women's behaviour. In Crimes Without Honour, four extraordinary activists risk everything to publicly challenge these traditions and tell their own stories of physical and emotional violence. While they practice different faiths, hail from different parts of the world and have immigrated to different countries, all make it crystal clear that the justification for these crimes is an entrenched family power structure of male supremacy—one that crosses borders, cultures and religions. Raymonde Provencher has crafted a vital addition to a growing body of films about crimes related to patriarchal traditions of family honour.
Queen Christina of Sweden abdicates and travels to Rome to embrace the Catholic church.
In urban America, the bush of Africa, the war zone of the Congo, and in closed nations there are women who are living outside their own cultures, society, and comfort level to care for orphans, build schools, liberate addicts, feed the poor, and love the broken. These ordinary women are reaching into hopeless situations of people and creating hope.
A working class teenager comes of age in 1910s rural Sweden, moving through a series of jobs and romances that gradually shape his future.
Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.
“In the beginning, women lived apart, unaware of the existence of men. Until one day, when the first woman, Toli, who was brave and adventurous traveled deep into the forest. Toli discovered solitary creatures with big muscles who knew how to climb trees and harvest wild honey. When Toli tasted their honey, she thought they should all live together….” That is how one of the creation stories of the Aka people from the tropical rainforest of the Congo Basin goes. Akaya, Kengole, Dibota and their friends and family are hunters-gatherers (and also great story-tellers) who guide us through their world. They explain their origins, myths, and the very spiritual meaning of life.
Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.
Arn has served his term in the Holy land and returns home to be reunited with his beloved Cecilia. When he returns home, he discovers that political forces tries to separate him and Cecilia - but thanks to queen Blanka they can finally get married. Arn knows that war is looming and with his martial knowledge he starts to build an army at his new home at Forsvik.