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> The return wasn't as exciting as the previous one. No surprise why this film failed to excite me, but a few people thinks its a passable sequel. The original movie was atypical, so the success followed it. In my perspective better that should have left as a one-off movie. But as a low budget product, they knew it was going grab back twice, thrice they spent because of the star value and indeed the first film's influence. There is no story, simply based on the usual Hollywood road adventure like the flicks 'Fanboys', 'Dumb and Dumber To', 'Not Suitable for Children' et cetera, except the character Ted which makes this theme a special. A couple of good jokes and that's it, the rest were ineffective, sometime keep repeating the same ones. The 2 hours in a too plain concept, is way too long to sit and watch/focus. The cameos were weak, or maybe worthless/meaningless, especially Liam Neeson's. The best things were the production quality, acting and like I mentioned before, the character Ted. For the one time watch, I think kind of manageable, but definitely not suitable for repeat viewing or to recommend it to the others. But overall, a little disappointed with the outcome. They have got one more chance to end this franchise on a high note as a decent trilogy if the next film gets a better storyline. 6/10
Ted 2 packs more unhumorous stuffing within its formulaic synthetic fur. MacFarlane is a talented comedian, I’m sure of it. His profusely crude humour captivating millions with his legendary ‘Family Guy’ TV show. Even ‘Ted’ was tolerable to a certain degree, and that’s saying something. Yet here we are, with an inevitable sequel, that essentially felt like a glorified episode of the aforementioned animation. It’s cutaway structure for unrelated gags. Relentless wave of pointless cameos. Ted becoming Peter Griffin. Close your eyes, let the voices infiltrate your senses and you’ll soon realise it’s just ‘Family Guy’, just less funny. Ted now married and struggling to maintain his relationship, has his rights taken away when he is no longer viewed as person but property instead. A particularly strong aspect to this comedy that more or less is the power source of its story, raising a civil rights lesson in ethics and morality. It was so *interesting* that Morgan Freeman himself got involved and slam dunked the jury with his God-like soothing voice. And despite Seyfried actually picking up the script’s remnants and transforming the scraps into a functional film, it’s utterly forgettable. So much so, that once Wahlberg becomes drowned in rejected semen samples (literally swimming with the sperm...), I experienced a moment of déjà vu (ironically, so did Ted). Surprisingly, I had seen the first half before. Yet it took me a decent forty minutes to encounter this epiphany, that’s how unmemorable this comedy truly is. It exercises all of the same plot points from its predecessor, the inclusion of the mentally unhinged Donny and the friendly break-up between the leads cement this sentiment, and rarely explored new avenues. Sure the friendly chemistry remained intact, but only one or two lines made me frustratingly chuckle, mostly due to Warburton’s comedic execution (urgh, that voice...). Besides that, there’s nothing here. Same old MacFarlane profanity. Worth a squeeze if you enjoyed the first film, but exhausts its preset lines of dialogue extremely rapidly. “I love you”? Eh, please don’t.
John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
A random encounter with a lost beauty leads a dashing Driver to a party where he meets a duo of alluring friends. Little does he know that their seductive game holds a shocking twist, as their night together takes a thrilling and life-altering turn. "Dinner is Served" is a satirical short film that combines elements of horror, thriller, action, and dark comedy to explore the susceptibilities of men to female manipulation. Through a playful twist on stereotypes, the film probes the moral boundaries molded by established social norms, including an often-exaggerated ethos of veganism.
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.
Stefan and Kai run a thriving business: a home-grown cannabis trade disguised as a pizza delivery service. For now they just have to fight aphids.
The Toro cheerleading squad from Rancho Carne High School in San Diego has got spirit, spunk, sass and a killer routine that's sure to land them the national championship trophy for the sixth year in a row. But for newly-elected team captain Torrance, the Toros' road to total cheer glory takes a shady turn when she discovers that their perfectly-choreographed routines were in fact stolen.
Captain Jack Sparrow crosses paths with a woman from his past, and he's not sure if it's love — or if she's a ruthless con artist who's using him to find the fabled Fountain of Youth. When she forces him aboard the Queen Anne's Revenge, the ship of the formidable pirate Blackbeard, Jack finds himself on an unexpected adventure in which he doesn't know who to fear more: Blackbeard or the woman from his past.
In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.
In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.