The Accountant² 2025 - Movies (Jun 5th)
A Working Man 2025 - Movies (Jun 4th)
A Knights War 2025 - Movies (Jun 4th)
Henry Johnson 2025 - Movies (Jun 3rd)
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The Death That Awaits 2024 - Movies (Jun 3rd)
Karate Kid Legends 2025 - Movies (Jun 3rd)
The Fire And The Moth 2025 - Movies (Jun 3rd)
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Royal Ballet and Opera 2024/25 Romeo and Juliet 2025 - Movies (Jun 3rd)
Freaky Tales 2024 - Movies (Jun 2nd)
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The Encampments 2025 - Movies (Jun 1st)
The Last American Vagabond - (Jun 5th)
Killers- Caught on Camera - (Jun 5th)
Shed and Buried - (Jun 5th)
Homes Under the Hammer - (Jun 5th)
Eva Longoria- Searching for Spain - (Jun 5th)
Airport 24/7 (AU) - (Jun 5th)
The Chase Australia - (Jun 5th)
The Cook Up with Adam Liaw - (Jun 5th)
Claire Hoopers House of Games - (Jun 5th)
The 11th Hour with Stephanie Ruhle - (Jun 5th)
The Cleaning Lady - (Jun 5th)
Sherlock and Daughter - (Jun 5th)
Narrow Escapes - (Jun 5th)
Poker Face - (Jun 5th)
Law and Order- Organized Crime - (Jun 5th)
Watch What Happens Live with Andy Cohen - (Jun 5th)
The One Show - (Jun 5th)
After Midnight - (Jun 5th)
The Librarians- The Next Chapter - (Jun 5th)
The Secret of Skinwalker Ranch - (Jun 5th)
Honestly, it has been a long time since I've watched such a bad movie. The script is just ... stupid and the dialogues even worse. The characters are not believable. I mean, when you watch Twilight, you just swallow the whole thing because it is fantasy and ... OK, it is just a stupid vampires story but, this is just toooooooo bad. I've not read the book but I suspect the fail is not just in the movie but that it is adapting something that is already bad from the beginning. The worst is that I kind of liked Dornan in his role in Fallen but this movie has made me realize what a short range of performing resources he has. Dakota Johnson is not too bad, though. The acting is OK, it is just that you hate such an stupid character. One more to my very narrow list of movies in which I have seriously thought stop watching by the middle of it. I wasted the second hour too, though.
My fiance is a big fan of the movies...and I only mention that because she is worse than me when it comes to sniffing out mainstream erotica. So, you know, totally hit her radar. On my end, I brought the book at LAX one night to read on a layover, and I stopped when Grey picked up his phone to call for a helicopter and started using trucker jargon. "Breaker, breaker, two-nine..." NO! Not reading any more! I honestly didn't even want to watch the movie after encountering that. However, let's be honest, you aren't sitting down to watch the film because of dialogue or plot. You're watching it because of sex. And, out of all the movies, this one actually delivers the most on it. AND, unlike all the sequels, it doesn't claim to be about anything else. It advertises itself as a movie about kinky sex and it delivers as being a movie about kinky sex. So ten stars. It is exactly what it claims to be and delivers on that.
Now I never read the book, and the DVD of this has been sitting in a box for years until recently when, discovering it did actually get both an Oscar and a Grammy nomination, I thought I would give it a go. It's all about "Anastasia" (Dakota Johnson) who goes to interview hunky gazillionaire "Christian" (Jamie Dornan) in his plush office. A bit of flirting ensues as he makes it quite clear that he is interested - but boy, is she in for a surprise when she discovers that all belts and braces does actually having another meaning (as does butt-plug!). What now follows is, I felt, a really tame exercise in soft porn that is about as sexy as putting out the wheelie bin. Dornan is very easy on the eye, but otherwise we are all subjected to a dull, ploddingly produced series of poorly lit scenes that drag on interminably. There's no point evaluating the acting nor the script, they don't matter. This is just a poor attempt to entertain or shock or both that does neither, remotely. Titillatingly tantalising? Nah - just dull. Nice helicopter but the song didn't win either award.
'Fifty Shades of Grey' is exactly what I expected it to be. I was hoping it wouldn't be too cringey, but it most certainly is just that. In total fairness, it's not one I'd class as it being awfully bad, though that's only thanks to the two leads and the (now well known) music. There is enough chemistry between Dakota Johnson and Jamie Dornan, they are good actors so are able to alleviate the many mundane moments. The only issue I hold for either is Dornan's accent. I know him and his Northern Irish voice, so the American chatter took me out a bit. Of course this is a movie largely about the sex, I guess parts of which are OK but too much made me cringe or raise my red flag (as intended for the latter, I hope). The run time should've been trimmed, it does feel like the characters go in circles for large periods - 90min movie all day. The music is solid, to be fair. Admittedly I already knew and liked the songs from Ellie Goulding and The Weeknd, nice to link them to the movie that made them though. So all in all, not for me. I am curious to see how they managed to stretch this out for a trilogy, mind you.
A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.
Lisa's husband, Bill, abuses her. With her sister's encouragement, she takes their three kids and leaves her husband. Bill keeps interfering with Lisa's attempts at a new life. She gets an order of protection against him, but the police can't do anything else to help her. One night Bill breaks into Lisa's apartment and shoots her. As she dies in the hospital, Lisa asks her sister to promise to take care of her three children. The sister takes the kids into her home, but Bill is still on the loose, an ever present threat.
Beautiful Noriko Miki works at a cosmetic company. One day, Noriko is murdered. People begin to suspect her co-worker Miki Shirono might have killed her. Television begins to cover her story. A TV show interviews Miki Shirono's colleagues, family, people from her hometown. Rumors turn into fear. Is she a wicked a woman?
When Alex wakes suddenly from a dream in which she confesses her love to her best friend, her whole world is turned upside down. She uses the following weeks to understand herself and slowly comes to terms with who she may be, all the while trying really hard not to lose the best friend she’s had since she was five. After all, coming out isn’t easy. 'From A to Q’ is a story of friendship, coming out and learning to love yourself.
Life for a single mom in Los Angeles takes an unexpected turn when she allows three young guys to move in with her.
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?
Helena Richie leaves her drunken husband, who had killed their child, and goes to Old Chester in Pennsylvania with her friend Lloyd Pryor. Helena adopts a homeless boy, David, who had been a ward of the town's minister, Dr. Lavendar. Helena's true husband dies, but Lloyd Pryor, now tired of Helena, refuses to marry her. Helena confesses to the minister about her actual relationship with Pryor, and Dr. Lavendar forces her to give up her son. Helena agrees, certain that she is an unfit mother. Helena pleads her case and fights for her maternal rights.
Maris, having married Lynch, a worthless man who deserts her, taking their daughter Felice with him, marries mill owner Dwight Alden after receiving notification that her husband and child are dead. Discovering that Alden employs child labor, Maris, assisted by the village minister, tries to persuade him that this is wrong, but he will tolerate no interference in his business.
A mysterious, erotic and haunting love story between a writer/professor at Puerto Rico's leading University and an aspiring artist from the immigrant Chinese community.
The twilight of a sacred monster, Jules Maugin, an actor at the height of his glory. Beneath the famous personality, the big mouth, and the social shell, lies the intimate portrait of a man laid bare.