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Sunday Brunch - (Oct 31st)
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Las Bravas F.C. - (Oct 31st)
Wicked City - (Oct 31st)
Watch What Happens Live with Andy Cohen - (Oct 31st)
The Impact- Atlanta - (Oct 31st)
Bangers and Cash - (Oct 31st)
The 11th Hour with Stephanie Ruhle - (Oct 31st)
Return to Las Sabinas - (Oct 31st)
Fugitives Caught on Tape - (Oct 31st)
The Chase Australia - (Oct 31st)
Crimewatch Caught - (Oct 31st)
Teacup - (Oct 31st)
After Midnight - (Oct 31st)
Forged in Fire - (Oct 31st)
Expert Witness - (Oct 31st)
Love Island Australia - (Oct 31st)
Gangland Chronicles - (Oct 1st)
Court Cam - (Oct 31st)
Roller Jam - (Oct 31st)
A character lives a self-sufficient but entirely surreal existence speaking in operatic verse amongst a peculiar selection of gadgets, a great Howitzer and, frankly, comes across as not quite the full shilling. He constantly ignores his doorbell until one day he finds himself tempted to open his door and a sort of pin-ball machine game ensues with his head disjoined from his body and bouncing all over the room trying to get home. I didn't really get this, to be honest, but there's an huge degree of creative innovation here from an imagination that just happens to live on a different planet from me! "I roll yet I still sing"! Maybe just try unplugging the doorbell?
Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.
Oscar nominated animated short from 1973. Pulcinella dreams himself into a wild nightmare of a dream that leads us through an abstract world.
‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.
Based on the tragic 1996 Mt. Everest disaster, the opera focuses on three climbers as they attempt the ill-fated summit. A new genre, the animated graphic novel puts you inside the pages as the tale drives on.
Clay animation film by Guionne Leroy, based on the music of Henry Purcell's opera "King Arthur"
After he is rejected by the Great Poochini as an opening act, Mysto the Magician gets his revenge by conducting his next operatic performance.
The Metropolitan Opera is looking for the sea monster reported in newspaper headlines, because this monster sings beautifully! The "monster" is actually Willie, a whale who can sing in several voices simultaneously. A friend of his, a gull called Whitey, tells him about the searching ship, and Willie goes to audition, as it's been his ambition to perform on stage. Unfortunately, Professor Tetti Tatti from the Opera believes that one or more singers have been swallowed by the whale, and need to be rescued.
An animated opera version of "Goldfish". In this modernised version of the fairy tale of the Goldilocks, everything is absurdly modern - turned upside down. It's the story of a man who lives underwater and a fish who lives above the water in the air and can grant people's wishes. The man catches the fish and starts wanting all sorts of things, but...
Bugs is in drag as the Valkyrie Brunhilde, who is pursued by Elmer playing the demigod Siegfried.
Initially commissioned to accompany a Danish production of Alban Berg’s LULU, Lewis Klahr’s cut-out animation refigures the opera's themes in a torrent of images. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism’s characteristic motifs, in the span of a pop song.