夏の終り

A remake of the dystopian 1976 science fiction film Logan’s Run.

Inspector Susikoski is inspecting the murder of an agronom in the countryside, during his summer holiday trip. He participates to the investigation of the case. The case seems to be clear, but there is much more than meets the eye.

Keiko is pretty and intelligent but her home life is not a happy one. Never having known a father's love, she develops a possessive attachment to Mr. Mazaki, the new mathematics teacher.

While re-evaluating her life, a mother relies on her stoner son and his awkward brother to keep life interesting. When an unlikely romance blossoms between the youngest son and the girl next door, she realizes the key to her happiness can be found where she least expects it.

A middle-aged factory engineer trains, marries, and ultimately loses a teenage bride after she enslaves him to her whims.

Set in the year 2019 in Japan. In order to crack down on free expression, a new law is passed, which allows for the government to create an armed force to find and destroy objectionable printed material. Meanwhile, to oppose this oppressive crackdown, the Library Force is created. The Library force, including instructor Atsushi Dojo and Iku Kasahara, work to protect the libraries. A fierce battle then ensues between these two groups.

Four Navy SEALs on a covert mission to neutralize a high-level Taliban operative must make an impossible moral decision in the mountains of Afghanistan that leads them into an enemy ambush. As they confront unthinkable odds, the SEALs must find reserves of strength and resilience to fight to the finish.

Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.

In the wake of a nuclear war, a young woman survives on her own, fearing she may actually be the proverbial last woman on earth, until she discovers the most astonishing sight of her life: another human being. A distraught scientist, he’s nearly been driven mad by radiation exposure and his desperate search for others. A fragile, imperative strand of trust connects them. But when a stranger enters the valley, their precarious bond begins to unravel.