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**An iconic, culturally significant film that helped immortalize James Dean.** This is one of those classic films when the theme is teenage rebellion and generational clash. It is undoubtedly good, with a good story and good actors – it is the film that marked James Dean's short career – and continues to be a regular presence in classics cycles and specialty TV channels. The film explores quite well the difficult relationship between parents and their children within the wealthiest families, and the way in which this tension has a decisive influence on the latter's delinquent behavior. Living in homes where there is truly no love, but rather a well-organized routine, and where parental care is limited to material goods and the act of giving things, these young people accumulate a revolt that they need to express through pranks and mischief that parents choose to ignore or consider that they are the consequences of harmful influences. The fact that they are children of rich parents only makes their devilry more elaborate: this is the case of racing with stolen cars. How many angry teenagers with rich dads continue to do similar things? Expertly directed by Nicholas Ray, the film had a high budget that allowed for quality production values. The cinematography is excellent, the sets and costumes couldn't be better (I especially liked Dean's parents' house and the abandoned mansion where part of the final scenes take place) and the cars used are beautiful. James Dean's hair and costume were decisive in youth fashion at that time, and the soundtrack accompanies everything with distinction and discretion. However, what decisively marks this film is the excellent quality of the cast and their work, particularly the excellent performance achieved by James Dean. He is absolutely credible in the role he was given, despite being a little older than his character. The opening scene is worthy of an anthology, but also that fight with razors that takes place near the Griffith Observatory. Natalie Wood is also not far behind: she was then more or less the right age and had the necessary talent, as well as being very beautiful and charismatic. Sal Mineo plays a highly dramatic role, and his participation in this film is one of the highlights of his career. Finally, a note of praise for Jim Backus and Marietta Canty, who made good contributions to the film in slightly less valued roles. A curious note that I just noticed: the three main actors in this film have in common the fact that they died before the age of forty-five, and each had a mysterious and violent death. Everyone knows that James Dean saw his life taken as a result of an unfortunate car accident, a few months after this film was made. However, in 1976, Sal Mineo followed, stabbed to death during a robbery at his home. A few years later, in 1981, it was the turn of Natalie Wood, who drowned in more than strange circumstances, during a yacht trip off the Californian coast.
Caledonian Road follows Seb, who decides to meet up with Corey one rainy night. Seb has never slept with a boy before, and plans to fulfil some dream of conquering his desire. Little does he know what’s in store for him when he enters Corey’s house, as he’s thrown into a strangely unreal night.
A 15-year-old A-student defies the views of her all-girls Catholic school as she confronts her feelings for a school nun.
In the summer of 1939, 13-year-old Marie goes with her parents to visit her grandparents in a small town near Avignon. Marie discovers her femininity and falls for a young Jewish doctor, but he prefers Eva, Marie's mother.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Oliver Twist the modern filmed version of Charles Dickens bestseller, a Roman Polanski adaptation. The classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.
Late Rishi Kapoor in his swansong plays B. G. Sharma, a 58-year old middle-class widower living in West Delhi. After being laid off from the company he has worked for his entire life, Sharmaji struggles to deal with the beast called retirement. His struggle to stay relevant in front of his two sons finally ends when he rekindles his love for cooking through a kitty party. A bunch of merry women rekindle in Sharma, a passion for cooking and chutzpah in general, that help him find his true calling.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Das Experiment is a shocking psycho thriller about the potential for brutality that humans hide. Even more shocking is the fact that it’s based on an actual occurrence — a 1971 psychological experiment at Stanford University that was aborted prematurely when the experimenters lost control.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.