Kingdom of the Blue Whale

Visions of the Sea is a glimpse into another world. Behold a dazzling variety of shapes and a rainbow of colors as you meet an amazing assortment of creatures-from tiny, single-celled organisms to massive mammals, from the beautiful to the icky. Travel more than a mile and half underwater where living fossils thrive, then experience the thrill of breaking the surface with a humpback whale. Float through hundreds of thousands of jellyfish as if in a dream and join a herd of hammerhead sharks on the hunt. Tour the architectural artistry of coral like an underwater tourist, so mesmerized you will find yourself falling for the camouflage deceptions of the cuttlefish. Featuring the underwater photographic artistry of Al Giddings, the American Cousteau, stunning imagery is paired with informative narration and a soundtrack that embodies the eclectic rhythms of life in the ocean as it moves from big band to classical to new age.

A horse with great potential is reluctantly sold by the breeder and by chance passes through multiple hands who do not treat him well.

The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.

That infamous whale is bigger, badder and a whole lot stronger in this sci-fi reimagining of Herman Melville’s classic tale of the battle between man, sea and sea creature starring “Xena” alum Rene O’Connor as the (traditionally male) narrator. But the boat — now a high-tech submarine — is also bigger, and Capt. Ahab is as determined as ever to settle the score and take down the mighty sea mammal that maimed him.

This honest and often blackly hilarious film shows Martyn at home in Ireland, during the lead-up to and aftermath of an operation to have one of his legs amputated below the knee. Contributors include sometime collaborator and buddy Phil Collins, the late Robert Palmer, Ralph McTell, Island Records founder Chris Blackwell, fellow hellraiser bassist Danny Thompson, John's ex-wife Beverley Martyn and younger generation fan Beth Orton. We see a man incapable of compromising his creative vision, from his folk club roots in the Sixties, through a career of continuous musical experimentation. Along the way there is a surreal roll-call of accidents and incidents, including a collision with a cow

On Her Majesty’s Service follows Gary Barlow as he embarks on a mission to record a special song to celebrate the Queen's Diamond Jubilee. He writes the melody with Lord Lloyd Webber, but wants performers from around the Commonwealth to play on it. Prince Charles gives Gary some suggestions before he begins an extraordinary trip, recording a vast number of musicians on their home turfs to make the unique record "Sing".

When a person’s understanding of waves is so concrete, surfing can become especially reminiscent of modern skateboarding. Mutating masses of water almost appear as still and solid as skatepark transitions as John John Florence spins through the air over them; landing back into each evolving pocket. John John demonstrates this new level of surfing in his first independent release, DONE. Directed by Blake Vincent Kueny and John John Florence, DONE takes the DIY ethos and flips it on it’s head. Shot in beautiful HD, 16mm, and Super-8 in top-notch locations that include Tahiti, Western Australia, South Africa, and Hawaii, this highly anticipated film invites the viewer to travel with John John as he searches and finds some of the most incredible waves on Earth.

Sipping Jetstreams Media presents This Time Tomorrow, a film by Taylor Steele, documenting an epic Pacific swell chase over 8 days and 18,000 miles traveled. Two surfers, Dave Rastovich and Craig Anderson, tracked waves generated from this single storm in an exhausting attempt to surf the same wave twice as they pulsed eastward through the Pacific. As these waves thundered across the legendary reef of Teahupo’o, reeled down the endless point breaks of Mexico and onwards towards a frosty Arctic conclusion the pair gathered friends Kelly Slater, Chris Del Moro, Alex Gray, and Dan Malloy for this cinematic and cosmic experience of a lifetime.

The intention of the film is to give an impression of what small exotic Denmark looks like, what the strange Danes look like and how they are. Nearly 100 Danes are presented in the film, amongst them a racing cyclist, a Minister of Finance, a popular actor and 13 unmarried women from a provincial town. "There is too much fogginess and rain and melancholy in most of the pictures of Denmark," says Jørgen Leth. "But not in my film. I would like to show you some authentic, clear and beautiful pictures from this strange country."

Poet-filmmaker Jørgen Leth taps his own earliest inspirational veins by free-floating through a camera/microscope-enhanced set of poems with love as their first and final subject. For example, how a tropical island woman prepares for a meeting with her lover. The film was shot partly in the South Pacific with more than a nod to social anthropoliogist B. Malinowski's historical work The Sexual Life of Savages.

Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen.