"Roy" (James Hall) and his brother "Monte" (Ben Lyon) are pretty much joined at the hip with the former frequently having to bail his rather wayward brother out of the stew now and again. He even has to fight a duel for him! Anyway, they both join the Royal Flying Corps just ahead of the Great War and both volunteer for an highly dangerous mission over occupied territory. Meantime, "Roy" is dating the rather fickle but candid "Helen" (Jean Harlow) who is also not averse to a bit of a dalliance with "Monte". The rather rakish brother gradually realises that his brother deserves better, and so - quite possibly when she seeks comfort elsewhere, might he! Their mission looms and pretty soon the boys are being pursued by the ruthless squadron known as "Von Richthofen's Flying Circus" in a race to get back home. As the scale of this conflict grows, it becomes more personal. They find themselves on the opposing side to their student friend "Karl" (John Darrow) who has his own covert task in a zeppelin. Though the acting here isn't the best, what does hit home is the way these characters become faced with a sudden need to grow up, to mature, and to be prepared to make sacrifices. That story itself is not so very original. What does make this really stand out is the standard of aerial photography and the whole aesthetic of this film. The dogfights are astonishing to watch unfold. The camerawork really does immerse the audience in the skills of these young and largely inexperienced pilots flying - quite literally - heavily armoured but flimsy wooden crates with engines. If they were damaged then they had virtually no hope of survival. The film does imbue a sense of the precariousness of the existence of the young men and when it steers clear of the melodrama is, at times, really quite exciting to watch.
The story takes place in 1917. Véronique is a young woman of 35 years, nurse at the military hospital of Besançon. She suddenly learns of the murder of her husband, the mysterious Count Vorski, whom she has not seen for fourteen years. Her research will also lead her to the track of her father and son whom she believed to have died in a shipwreck, already a long time ago. From clue to clue, here we are in Brittany, on this island with a name so ill-fitting... Brutal deaths, enigmatic words written... by whom? A frightening prophecy, the superstitious terror of the island's inhabitants, and suddenly, Veronica d'Hergemont can no longer leave this island. She's stuck alone. Almost alone...
A former bomb squad leader comes out of retirement to investigate a series of bombings plaguing Seattle.
Ted Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father.
Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
Lon is an assassin who is deformed. The only man he can trust is his brother, Kwan. When Lon kills a police officer, the officer's partner tries to go after him, but lets him go after seeing his face. Meanwhile, Lon falls for Wendy, the girlfriend of Lon's sadistic boss, Dragon. When Lon agrees to kill Dragon for Wendy, it's a setup. After the kill, Lon is hit by a car and plunges into the river. A year passes by. A new man named Michael arrives, working for Wendy. Meanwhile, the partner of the cop Lon killed is still on the case. He notices a resemblance of the new man to Lon. Is Michael the same person as Lon? If so, what is the motive?
The film focuses on the naval warfare around the Battle of Coronel and Battle of the Falkland Islands during the First World War. It was the last in a successful series of documentary reconstructions of First World War battles by British Instructional Films made between 1921 and 1927.
A former government agent in France, who has failed at an assignment and been disavowed, is deported back to the USA, where he can only find work at a low-rent detective agency. He soon gets involved with a woman with ties to a crooked gambling club owner, who is a client of his agency.
During World War I, British soldier Owen is mortified by the examples of cruelty that surround him in the trenches. He combats these terrifying images by maintaining hope in his love for an army nurse. But he also begins to accept his fate as another battlefield sacrifice.
Meet the Libner brothers: Marvin, the oldest, is a sergeant in the U.S. Air Force. Buddy, the middle child, is a timid dreamer. Bobby, the youngest, is a handsome rebel in reform school. As kids, they fought a lot and as adults, they barely speak. In the summer of 1963, their tough and eccentric father, Fred, gives them a task: to bring a 1954 Cadillac, bought for their mother, Betty, from Detroit to Miami. As the trip goes on, the three brothers fight and begin to reconnect with each other, while trying to keep the Caddy in mint condition.
A young, unfaithful wife and mother is thrown out by her cold, unforgiving husband, the Attorney General of France. She is barred from ever seeing her three year old son again despite her earnest attempts to make amends. For many years the mother seeks refuge overseas and in Absinthe. In the end, her son, a young and promising lawyer unknowingly defends her in court. Ruth Chatterton gives a marvelous performance in this early talkie in her portrayal of Madame X.
A notorious Mexican bandit goes all soft and mushy when he falls for a beautiful senorita. Warner Bros.' Captain Thunder contains some of the darndest Mexican accents you've ever heard in your life. The star is Hungarian-born Victor Varconi, portraying a legendary south of the border outlaw who tries to force Canadian senorita Fay Wray to marry a rival rustler whom she despises. She pleads with the bandito so pathetically that he is moved to grant her a single wish. Without hesitation she chooses her poor but true love. The bandit king, being a somewhat honorable fellow grants the wish and without a twitch, guns down the wicked cattle thief. Fortunately the film was played for comedy, a wise decision since it probably would have garnered laughs as a straight drama anyway.