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After momentarily veering off course with a misguide adaptation of Patrick McGrath's eerie neo-gothic novel Asylum, Scottish director David Mackenzie is back on track, making good on the promise he initially showed with such dark, acclaimed features as THE LAST GREAT WILDERNESS and the award-winning YOUNG ADAM. Expert at lock picking and proficient at peering into other people's windows, 17-year-old Hallam Foe (Jamie Bell) is a young Scot who can't get past the drowning death of his suicidal mother in the loch on the sprawling family estate. Dad (Ciaran Hinds) has since married his former secretary, Verity (Claire Forlani), whom Hallam hates and he takes no pains to hide his feelings. After his sister, Lucy (Lucy Holt), relocates to Australia, Hallam holes himself up in his tree house where he spends hours under a blow-up portrait of his late mother, contemplating whether or not Verity might have actually been responsible for his mother's death. When Verity confronts him with the private notes books in which he records not only his voyeuristic escapades around the village but his own self-digusted lust for Verity herself, Hallam explodes. Hallam accuses her of murdering his mother, then attempts to strangle her. They then have sex on the tree-house floor. Figuring now is as good a time as any to finally leave home, Hallam runs off to Edinburgh where he spots Kate (Sophia Myles), a young woman who bears a striking resemblance to his mother. Bewitched, he follows her to the landmark Balmoral Hotel where she works, then begs his way into a job as a kitchen porter just to be near to her. When he follows her home after work, he realizes he can see into her bedroom window from the Balmoral's famous clock tower. There he sets up post, watching Kate during her most private moments as he falls in love.. Based on the cult novel Hallam Foe by Peter Jinks, Mackenzie's film walks a very fine line between charming and downright creepy: There's no getting around the fact that Hallam has a few serious problems, compulsive voyeurism being the most troubling. But rather than underplay what makes this unusual character so compelling, Mackenzie leaves Hallam Foe has he found him, and Giles Nuttgens (ASYLUM, YOUNG ADAM and Deepa Mehta's gorgeous WATER) films it all in high style. Bell is excellent, the settings are spectacular and the right Scottish soundtrack features songs by Franz Ferdinand, Orange Juice and The Pastels.
Inspired by the Baader-Meinhof gang, a film about modern left Germans adopting the culture of extreme left-wing movements of the 1970s. East German dominatrix Gudrun leads a revolutionary gang of her own in Berlin. She has her men kidnap the son of a rich businessman in order to gain publicity. Claiming that heterosexuality is a social norm created to keep the people down, she forces her male minions to have sex with each other.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered - a crime she had described in her latest story.
When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
With the impending ice age almost upon them, a mismatched trio of prehistoric critters – Manny the woolly mammoth, Diego the saber-toothed tiger and Sid the giant sloth – find an orphaned infant and decide to return it to its human parents. Along the way, the unlikely allies become friends but, when enemies attack, their quest takes on far nobler aims.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
A philosophical burlesque, Human Nature follows the ups and downs of an obsessive scientist, a female naturalist, and the man they discover, born and raised in the wild. As scientist Nathan trains the wild man, Puff, in the ways of the world - starting with table manners - Nathan's lover Lila fights to preserve the man's simian past, which represents a freedom enviable to most.
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A musical romantic tragedy about a famous composer who moves back to his small hometown after having had heart troubles. His search for a simple everyday life leads him into teaching the local church choir which is not easily accepted by the town yet the choir builds a great love for their teacher.
Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.