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Possibly there are more things in heaven and Earth than are dreamed of in your psychiatry, Mr. Garth. Five years after Universal launched a Bela Lugosi inspired Dracula upon the film loving world, the sequel arrived - only not with Lugosi's Count Dracula in it. Pic picks up at the end of the 31 film and finds Von Helsing (yes Von, not Van) under arrest for the slaying of the toothy vampire. Enter Contessa Marya Zeleska, who sets in motion the wheels of vampiric legends and torrid passions about to be exposed. There's an ethereal low-key mood to Dracula's Daughter, exuding the sort of atmosphere that Val Lewton would hone and trademark within six years. It's a beautifully photographed movie (George Robinson), while there's some neat touches in the screenplay - such as lesbian overtones and the fact our vampire lady is very sympathetic due to her searching for a cure to her ills. However. The play is over talky and very bloodless, it's like the makers forgot to actually put some horror aspects into the piece. There's also an odd blend of humour and drama which never sits right, while the ending is abrupt and disappointing. It's a nice film, a nice production, but nice is a word that really shouldn't be on your lips given the history of the source materials. 6/10
A recently widowed detective still grieving over his wife's death discovers a shocking connection between himself and the suspects in a serial killing spree linked to the Four Horsemen of the Apocalypse.
A young man and his girlfriend move into the man's old mansion home, where he becomes possessed by a need to control ancient demons.
Young lovers in London are wrapped up in a love triangle that may not be exactly what it seems. Carmen, a beautiful Spanish woman with a tendency to lose her temper at the drop of a hat, is about to be married to Barnaby, a caring, wealthy, but slightly boring Englishman. While out with friends on her 'hen night' she encounters a stranger who suddenly sparks a passion that has been sleeping within her. As her wedding date approaches, she finds herself struggling to put this newcomer out of her mind, but his effect on her keeps growing stronger. What is it that he sees in her, and why does she feel like she's being pushed inevitably into his arms?
Haunted by memories of his father murdering a family, Arlis Sweeney prefers to keep to himself, focusing his energy on his work. One day, the traumatic past that eats away at him returns when he meets Kay Davies, a woman connected to the bloody event. Against all odds, Arlis and Kay fall in love; however, when his father, Roy, reappears in his life - with the coldhearted Ginnie in tow - Arlis must deal with his past demons.
Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we're all involved in it. Set on one afternoon on Hampstead Heath in north-west London, the film investigates the minutiae of seven couples. What makes us tick?
The village where Putri lives often experiences mysterious events. Some women suddenly disappeared without a trace. Money theft often occurs that can't be explained logically. One day, Putri's mother suddenly disappeared mysteriously. Putri decided to trace the available clues to find her mother again, starting from walking through a haunter forest, an abandoned factory, until arriving at an old house which turned out to be inhabited by "tuyul" and the terrifying black "kuntilanak".
A Salem resident attempts to frame her ex-lover's wife for being a witch in the middle of the 1692 witchcraft trials.
A shy and quiet World War II evacuee is housed by a disgruntled old man, and they soon develop a close bond.
In the 1800s frontier, Missie Davis is a bright and beautiful schoolteacher whose love for the prairie is matched only by her passion for books. When Missie encounters Grant, a handsome New England railroad executive, she feels as though she's met a hero from one of her novels.
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
Police officers around Tokyo are being murdered by an unknown assailant. When Ran witnesses an attempt on the life of one of her friends in the police, she loses her memory. Now, Conan and Inspector Megure must find the murderer while Ran attempts to regain her lost memories.