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April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy commands a Sherman tank and his five-man crew on a deadly mission behind enemy lines. Out-numbered, out-gunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
'Fury' has fantastic set pieces. The special effects are incredible and the sound is brilliant. The film is very gory and there are lots of explosions and body parts flying all over the place. I could tell that the movie was trying to follow in the footsteps of 'Saving Private Ryan' by stealing a lot of the characters and trying to recreate the depth and heart of that film. However, it didn't realise that 'Saving Private Ryan' took a lot of ideas from old war movies and paid homage to them whilst delivering awe-inspiring and moving scenes of battles. 'Fury' did not have this. A lot of the dialogue and interaction between characters was laughable. The romance that tried to be thrown in at the middle of the film did not work and just seemed bizarre, The characters were one-dimensional and just seemed like walking stereotypes. The film felt more like 'Tropic Thunder' than 'Saving Private Ryan'. 'Fury''s lack of long shots of the landscapes and battles meant that the film did not seem as vast or beautiful as other films of the genre. However, the action scenes were very well done and it was exciting and superbly directed. ★★★½
I knew that quite a few people had complained about the realism in this movie even though it hold high ratings on most movie sites. I was hoping that the complaints were mostly nitpicking like wrong model of Sherman tank and such like. Well, I am afraid that it was a bit more than that. I would say that this movie is clearly written by some Hollywood writer sitting in his comfy chair and never ever having been close to any military activities, not to mention live action, in his life. I can live with a movie being inaccurate or somewhat unrealistic if the rest of the movie is good but I have to say that I did not really like the movie even after trying to filter out the unrealistic nonsense. The movie is very dark and gritty and there are really no likeable characters in it whatsoever. Well, the clerk that got thrown in as a tank machinegun gunner was perhaps somewhat likable but then him getting assigned as a tank machinegun gunner in the first place was one of those nonsensical bits. In this movie the “heroes” are not really any better than the Nazis. The scene where “Wardaddy” forces previously mentioned clerk to shoot an unarmed POW is just disgusting. I am sure this is not too far from reality in some cases during the war but I’ll be damned if I am watching a movie to be entertained by it. Having said that I must also say that the movie was very well done in terms of acting and cinematography with one exception. The ridiculous overuse of tracer bullet effects. Tracer bullets do not look like you are in a Star Wars movie and yes I have been using tracer bullets during my military service, obviously unlike the producer and consultants (if they had any) of this movie. The pacing of the movie was somewhat uneven. Some of it was fairly fast paced but then some parts, like the part in the apartment of the two German women was quite slow and somewhat dull. The “last stand” at the end was just silly and nonsensical. It started pretty much right away when the poor clerk spots the arriving German infantry just using his eyes. Then it just takes forever until they actually arrive so our “heroes” have all the time in the world to prepare. There would of course be no way for a lone Sherman to hold off an assault like that and the Germans would of course not be charging around shooting useless fine caliber weaponry against said Sherman. Also when they had all this time to prepare why the f… did they leave some of the ammo outside the tank? Obviously because some dumb scriptwriter thought it would make for a good scene. And do not get me started on the fact that the Germans apparently just stops in their tracks every time the director thinks it is time for some slow scene inside the tank. The ending? Well I do not like bad endings and this one certainly did not give me any feeling of reward for having suffered through over two hours of this movie. Needless to say I am a tad disappointed.
WWII through the eyes of a Sherman tank crew RELEASED IN 2014, "Fury" details the exploits of 'Wardaddy' (Brad Pitt) and his Sherman tank crew during the final month of the European theater of World War II. A meek new guy who knows little about tanks, Norman (Logan Lerman), joins the crew and must learn to kill. Making a final push into the heart of Nazi Germany, the Fury crew makes a heroic stand when their tank breaks down. Writer/director Dick Ayers wrote the screenplay for 2001's excellent "Training Day." In "Fury" he successfully shows the soldiers’ view of WWII through the eyes of a Sherman tank crew. I know of no other war film that sets out or accomplishes this; Oddball and his crew from "Kelly's Heroes" (1970) perhaps comes closest. I mainly judge films by whether or not the story keeps my attention. After all, what good is great action, thrills and incredible special effects if the story (or the way it's told) is dullsville, like, say, "The Mummy Returns" (2001) or "Man of Steel"(2013)? "Fury" kept my attention from beginning to end and the characters are all memorable. Speaking of which, the three remaining crewmembers are 'Bible' (Shia LaBeouf), 'Coonass' (Jon Bernthal) and 'Gordo' (Michael Peña). 'Bible' is fittingly an evangelical who strives not to lose his spirituality while brutally annihilating people in the name of war, whereas newcomer Norman is a mainline Christian (Episcopalian). A handful of scripture passages are quoted during the course of the movie, including a couple near the end by Wardaddy. This is an interesting revelation because Wardaddy has become hardened by the war after three years fighting from North Africa all the way to the nucleus of the Nazis. This implies that he was a devoted believer before the war but only a glimmer of his former spiritual affection remains. There are other quality character bits interspersed throughout the film, like how annoying drunk bastages may not be so bad once they sober up. Beyond the above, the film offers the typical tragic insights about the nature of war. The long final stand in the last act may be unlikely, but it makes for a heroic and thrilling ending to a war movie (yes, it's a MOVIE, not a friggin' documentary). At the end of the day "Fury" arguably ranks with the best WWII movies, like "Where Eagles Dare" (1968), "Enemy at the Gates" (2001), "The Eagle has Landed" (1976), "Bridge on the River Kwai" (1957), "The Dirty Dozen" (1967), "The Thin Red Line" (1998), and "Inglourious Basterds" (2009). As far as comparing it to the overrated "Saving Private Ryan" (1998), the first half hour of that movie is great, but the rest of it leaves much to be desired (remember the lame dog tag sequence?); "Fury" is leagues better IMHO. The melancholic and moving score by Steven Price is a highlight. Alicia von Rittberg (Emma), Anamaria Marinca (Irma) and Jason Isaacs are featured in fairly notable roles. Speaking of Emma, the brief romance between her and Norman is decidedly forced, which is one of the few negatives of "Fury," but I get the point of that sequence. THE FILM RUNS 134 minutes and was shot in England. GRADE: A-
This film is about a tank crew in WW2 that is going into the final days of the war and still facing Hell. The characters are very credible, and this passes the ultimate test of "credible characters in incredible circumstances". The five members each have a different level of humanity, from the novice to war who still has total humanity down to the one tank crew member who is a total brute. Yet even he has some humanity left in him, but he hardly shows it. The other three are the tank commander (Brad Pitt), who handles brutality of war with objectivity, his second, who handles brutality by trying to be right with God, and the other one uses comedy to handle it. I've been in the military, and it is quite common for "clerks" to be tossed into war like cannon fodder, because that is what "clerks" are viewed as being by everyone else, from officers down to the one stripers. In fact, the clerks are considered to be the most disposable members of the forces. We know that today. People didn't always know it in WW2. The final self sacrifice at the end seems a bit much, but when you take into consideration that it's a spare of the moment decision, and mistakes are made with quick decisions, it's plausible. Not probable, but plausible. Also, the final battle scene with five men doing so well against an incredibly larger force; well, that is sold to us by the amount of smoke around the tank, and the fact that if you are on the other side, surrounding the tank, you wonder if you are shooting at your own teammates across from you. I think it would have been a better movie if the five soldiers all just abandoned the tank and tried to walk back to safety, but that's just me. Other than that, it was an exceptional film that passes all the tests.
Very rarely am I able to enjoy a movie just as much as I did during my initial watch, but this film genuinely took me back to my grandfather's couch in 2015. The cast was amazing, with Jon Bernthal's performance standing out the most to me. Brad Pitt, Logan Lerman, & Shia LeBouf also were great in this movie, as this was arguably one of the greatest collective casts of that year. I initially was a little let down by the cinematography, but as the movie progressed it definitely recovered. Characterization is another thing that stands out significantly in this movie. Grady (Jon Bernthal) is probably the best example of this, though the depth given to Boyd (Shia LeBouf) & Trini (Michael Pena) through their characterization was amazing as well. The final aspect of the film that I loved was the dialogue. Though it wasn't Game of Thrones, the ability to bring depth, characterization, symbolism, and so many others things to the story through dialogue was very well done. This is one of David Ayers greatest pieces of work and I highly suggest this movie!!!
In the confusion of combat, two Italian get separated from their squadron and become hopelessly lost. As they wander the countryside attempting to find their lost comrades, they have to adopt all manner of outrageous disguises to avoid death at the hands of whomever holds the reigns of control.
This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.
Keisuke Kinoshita sits easily alongside Ozu, Kurosawa and Naruse as one of Japan’s most respected legends of cinema. Made to commemorate the centenary of Kinoshita’s birth, this biographical drama chronicles formative hardships and personal encounters to provide a rare glimpse into the life of one of Japan’s most acclaimed screen directors. Includes archival footage from 49 of the films he produced during his career at Shochiku.
Scientist-explorer David Lynd leaves wealthy bride-to-be June Claymore at the altar to join photographer Andy Parker and British secret service agent Leo Marzeli in search of rare minerals. They soon run afoul of crooked trader Tagani, who's been busily stockpiling weapons in the hills on behalf of his Nazi partners.
Action war film drama directed and written by Hysen Hakani with Muharrem Skënderi.
The story of the hero of the Soviet Union, Manshuk Mametova, machine-gunner of the 21st Guards Rifle Division of the 3rd shock army of the Kalinin Front, the guards sergeant in charge. The first woman awarded the title of Hero of the Soviet Union for bravery. The film recreates the past and shows a day of combat life Manshuk and her comrades, who took unequal battle with German tanks.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Strange phenomena surface around the globe. The skies ignite. Terror races through the world's major cities. As these extraordinary events unfold, it becomes increasingly clear that a force of incredible magnitude has arrived. Its mission: total annihilation over the Fourth of July weekend. The last hope to stop the destruction is an unlikely group of people united by fate and unimaginable circumstances.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.