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Dexter- Resurrection - (Aug 29th)
Outlander- Blood of My Blood - (Aug 29th)
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The Briefing with Jen Psaki - (Aug 29th)
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Chief of War - (Aug 29th)
Peacemaker - (Aug 29th)
Foundation - (Aug 29th)
Invasion - (Aug 29th)
The Beat with Ari Melber - (Aug 29th)
The Bold and the Beautiful - (Aug 29th)
Deadline- White House - (Aug 29th)
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The Young and the Restless - (Aug 29th)
First Dates - (Aug 28th)
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Rumble in the Bronx. The Wanderers, an Italian street gang in the Bronx 1963, preparing for a rumble with rival gang the Del-Bombers, try to enlist other gangs to help their cause. However, as the times are a changing, The Wanderers and all the other gangs of the city must come to terms with pending adulthood, and, the ending of an era. Directed by Phillip Kaufman, this adaptation of Richard Price's novel stands up as one of the best pictures to deal with gang culture. Laced with crackling adolescent humour, and sublimely sound tracked, The Wanderers triumphs better than most because it captures the time frame perfectly. Encompassing the killing of JFK, and subtly showing (during an hilarious sequence) the enlisting of ignorant youths into the Marines, to be carted off to Vietnam no doubt, The Wanderers has far more to offer than merely angst and high school jinx. The cast are surprisingly strong, Ken Wahl, Karen Allen, Tony Ganios and Erland van Lidth all shine in their respective roles, whilst Kaufman directs with a knowing sense of purpose of the thematics to hand. All of which culminates in a quite eerie final third as the deadly Ducky Boys enter the fray. Not quite as serious as The Warriors, which was released the same year, it's a film that much like this one now feels part of my teen education. The Wanderers is however the smarter picture of the two in terms of substance. The coming together at the finale, the racial harmony bursting out from the screen, is and always should be eternally embraced. All together now, "I'm the type of guy who will never settle down" 8/10
_The Wanderers_ definitely isn’t perfect—some moments felt awkward and dated, especially that uncomfortable racist word battle, which made me cringe more than once. But if I look past those issues, there’s plenty here to enjoy, particularly as a lively jukebox film with echoes of American Graffiti and The Last Picture Show. It nailed the nostalgic beats for me, nicely capturing teenage friendships, rivalries, and classic coming-of-age drama. I could sense the director’s genuine fondness for his 60s youth, balanced with a welcome dash of 70s/80s grit. Sure, it’s uneven, occasionally clumsy, and won’t win prizes for subtlety, but the cracking soundtrack alone kept me hooked. If, like me, you’re partial to movies that whisk you back to a slightly romanticised past, you could do far worse than spending an evening with this one. Imperfect, yes, but undeniably good fun.
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy. After being appointed to a run-down New York parish, O'Malley's worldly knowledge helps him connect with a gang of boys looking for direction, eventually winning over the aging, conventional Parish priest.
In New York City, the lives of a lawyer, an actuary, a house-cleaner, a professor, and the people around them intersect as they ponder order and happiness in the face of life's cold unpredictability.
King is a young man, but he's already a veteran of life on the streets of Los Angeles. The de facto leader of a group of teenage runaways, King acts as a mentor to troubled kids such as gay hustler Little J and junkie Greg. When Heather, a beautiful girl from Chicago, starts hanging out with King and his crew, it changes the dynamic of the gang. However, it seems as though nothing will alter their dangerous lifestyle.
A chronicle of the sordid life and suspicious death of Rolling Stones co-founder Brian Jones, who was found in the bottom of his swimming pool weeks after being let go from the band.
When his girlfriend leaves for New York City on a 3-month-long internship, a strongly opinionated Berkeley arthouse movie theater manager begins exploring life as a bachelor.
An aspiring poet in 1950s New York has his ordered world shaken when he embarks on a week-long retreat to save his hell raising hero, Dylan Thomas.
Two teenagers are drawn together by the Buzzcocks' single 'Love You More' during the summer of 1978.
Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. Tenant Charley, who marries tenant Eadie, loans money to Jim to help him keep the building, money which this Casanova obtains from rich widows.
Four Harlem friends - Bishop, Q, Steel and Raheem - dabble in petty crime, but they decide to go big by knocking off a convenience store. Bishop, the magnetic leader of the group, has the gun. But Q has different aspirations. He wants to be a DJ and happens to have a gig the night of the robbery. Unfortunately for him, Bishop isn't willing to take no for answer in a game where everything's for keeps.
Told from the man's perspective, the story of a couple trying to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.
A struggling young dancer joins forces with two breakdancers and together they become a street sensation.