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The Man With The Rope Scar On His Neck! Three Hours to Kill is directed by Alfred Werker and written by Richard Alan Simmons, Roy Huggins and Maxwell Shane. It stars Dana Andrews, Donna Reed, Stephen Elliott, Richard Coogan and Dianne Foster. Music is by Paul Sawtell and cinematography by Charles Lawton Jr. As solid as a boulder in Death Valley, Three Hours to Kill is a most satisfying Oater for genre fans not expecting boundary pushing. Plot has Andrews as Jim Guthrie, who is wrongly accused by the town folk of murder and promptly condemned to death by lynch mob. Escaping the rope by the skin of his neck, Guthrie bides his time for three years before heading back to the town to clear his name and nail the real murderer. His friend, the Sheriff, gives him three hours to complete his task before the law intervenes. What unfolds is a whodunit led by Andrews as he interrogates and puts the squeeze on a number of the town's denizens. There's a deliberately downbeat tone that serves the story well, with lost loves, unfulfilled lives and haunted memories of past doings permeating the narrative. The psychological undertones and risque aspects of the story are tantalisingly -frustratingly so - left to just simmer, but mood befits question marks in the plotting to keep one engaged. Action scenes are in the main no more than competently handled, but a couple are quite striking to raise the pulses. When the pic moves out of the confines of the town, the locales (Lake Sherwood, Sherwood Forest, Hidden Valley in Calif) are most striking and leave you hankering for a more airy picture as a whole. Cast are fine, Andrews toughs up for good perf, but as lovely as Reed and Foster are (in fact Foster is socko gorgeous), they are undone by standard writing and Reed comes off as looking bored. The ending carries a nice surprise, two fold in fact, to close the deal on what is an above average Oater to be enjoyed as easy sampling by genre fans. 6.5/10
Norman Bates is declared sane and released from the facility in which he was being held, despite the complaints of Lila Loomis, sister of his most famous victim. Is he really cured, or will he kill again?
Libby Parsons, wrongly convicted for her husband Nick's murder, thinks he is still alive and wants to settle the score and find their son. As she has been tried for the crime, she cannot be re-prosecuted if she finds and kills Nick.
Soon after a veteran returns from war, his cheating wife is found dead. He evades police in an attempt to find the real murderer.
A secretary is found dead in a White House bathroom during an international crisis, and Detective Harlan Regis is in charge of the investigation. Despite resistance from the Secret Service, Regis partners with agent Nina Chance. As political tensions rise, they learn that the crime could be part of an elaborate cover-up. Framed as traitors, the pair, plus Regis' partner, break into the White House in order to expose the true culprit.
The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.
When a beautiful young woman suddenly offers inebriated Casey Morrow a lot of money for a quick and easy job, he doesn't ask too many questions. But when the girl's father is found murdered the following day and Morrow's coat is soaked with blood, he must unravel the mystery to clear his name. An intriguing story of deception, greed and immorality.
A former thief driving through a small town is coerced into stealing a valuable statue but finds himself in hot water after he's accused of murder.
In Puerto Rico to investigate a glut of contraband diamonds that are flooding the world's jewel market, Mr. Moto and his sidekick, a wrestler, find themselves involved in murders by thrown daggers, the frame-up of an overstressed Army colonel, and a pirate gang led by an unknown boss who has inside knowledge of the ensuing investigation.
A man tells his wife that the police are after him for having killed a bookie during an alcoholic binge, but that he is innocent and is being framed for the murder. The wife and her brother hide him and try to find out who the real killer was. The more they investigate, the more holes they begin to find in the husband's story.
Hannah moves in with a charismatic Amish leader, Aaron, to help with his ailing wife. Seeking refuge after leaving her Amish community, Hannah is grateful to Aaron and his wife for opening their home to her and giving her work but as she tends to her household chores, the spark between her and Aaron is undeniable. Hannah knows their secret relationship has them both living in sin, so she decides to end it but when Aaron’s wife suspiciously dies, she finds herself framed for murder and fighting to prove her innocence.
