Schatten

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher

2-minute animation film to music by John Coltrane.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Capital of Faith is a short documentary that addresses the reality of the new Brazilian Evangelical Church, illustrated with images of the Faith spectacle and the unusual Christianization through gospel culture. The film is a portrait of this militant belief experienced in the city of São Paulo, bringing tension between innovative conservatism and the contradictions of Corporate Christianity.

The life and death of the fictional star Wilma Montesi is reported in the form of a staged newsreel. Excerpts from films of various genres and eras are juxtaposed with "documentary material" about the star's public and private life. By stringing together clichés and cinematic quotations, a certain reporting and narrative style about the glamor and misery of show business is presented in a critical and ironic, but at the same time entertaining way.

A breathtaking quest for the dream the imposing city of Brasilia was based on, a marked contrast with the chaos of the adjacent construction workers' village. Everything about Brasilia was devised and designed, but not on the basis of some cold urban design concept: the plan proves to originate from 19th-century priest Don Bosco’s dream. The chaos and disorder of the adjacent construction workers' village Vila Amauri long stood in stark contrast to the grandeur and majestic regularity of Brasilia. Now the village has disappeared beneath the reservoir’s surface, the necessary order has been restored. All Still Orbit examines both these histories.

A good feast in the countryside.

Showcasing three short films by American writer James Baldwin, wherein he muses about race, sexuality and civil rights, among other topics, in Istanbul, Paris and Great Britain.

A group of Macedonian women are shown hard at work.

Is wilderness more valuable than money? It depends on who you ask. Loon is a through hiking naturalist who understands what’s truly valuable in life. At 80 years old with more than 2,000 acres of wilderness to his name, he must decide what to do with this precious asset.

As a young girl Victoria Arlen truly had the world ahead of her. But at the age of 11, she began to suffer from an illness that baffled her doctors and kept Victoria locked in her own body.