Perfect Match - (Feb 10th)
Saint-Pierre - (Feb 10th)
Murdoch Mysteries - (Feb 10th)
Family Feud Canada - (Feb 10th)
The Kelly Clarkson Show - (Feb 10th)
Open House NYC - (Feb 10th)
Common Side Effects - (Feb 10th)
Ready to Love - (Feb 10th)
Baddies Midwest - (Feb 10th)
Married at First Sight UK - (Feb 10th)
The Chase Australia - (Feb 10th)
Tipping Point Australia - (Feb 10th)
Tribunal Justice - (Feb 10th)
Scars of Beauty - (Feb 10th)
StuGo - (Feb 10th)
PULISIC - (Feb 10th)
Austin City Limits - (Feb 10th)
The Great American Baking Show - (Feb 10th)
LIVE with Kelly and Mark - (Feb 10th)
The Sunday Show with Jonathan Capehart - (Feb 10th)
The couple Thomas and Kathrine are both writers, but she is in a violent relationship with a psychopath. During a weekend at a remote island they have a fight, which leads to Thomas having amnesia after hitting his head. Kathrine sees this as an opportunity to get out of the forced relationship, and hides anything that can help him understand who he is. Or could they have a new start? Or will Thomas gradually find out what's the case?
Good Morning, Karachi is the story of a young girl (Amna Ilyas) who wants to be a model while struggling towards her dream against the backdrop of the Benazir Bhutto assassination.
With money running low, nine New Yorkers forgo their annual Christmas in Aspen and head to Pennsylvania for a murder-mystery weekend.
The accident suffered by his son Leon, marks Alberto forever. From that moment, someone enters his world: an immigrant that, by saving his son, will make Alberto feel guilt and at the same time gratitude, which will give a definite turn to their lives.
Cristi has just moved to an unknown country, far away from family and friends. At first, she is happy for the challenge. But soon she begins to question her place in this new world that seems to be a lost town, made of absences, distances, silence and indifference. '4242' is the story of a young female immigrant, a story of a teenager's anguish who is trying to redefine her identity after being forced to leave home.
Şehnaz, a young female psychiatrist from Istanbul, starts mandatory duty in a provincial town. Back in the city, she maintains a marriage that looks flawless on the outside. Elmas, a young woman on the verge of breakdown, opens a new path in her.
The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, have sex, and choose.
Recently returned to her home in the Sultanate of Zinder after completing her degree abroad, a young woman suffering from the pain of a lost love finds renewal while awaiting the mystical promise of a new moon.
A high school sophomore questions the school system by posing a very uncomfortable question in the midst of a literature exam.
Michal is 32 years old. She became religious 12 years ago, and only now is she getting married. A month before the wedding, while checking out the catering for the event, the groom has a change of heart and the wedding is called off. Michal feels she’s unable to go back to ordinary life, to the usual course of matchmaking. She feels this is the moment to change something very basic in her personality. A simple belief that God is good and sweet; that He wants to give and is only waiting for her to wish it. Michal goes on a month-long journey lasting up to the planned wedding day: “I have the venue, the dress, the apartment; God can easily come up with my groom.”
In 1976 the British Government put an end to the special category status of prisoners from the Provisional Irish Republican Army, no longer treating them as prisoners of war, but as common criminals. Mairéad Farrell – on whose life much of the film seems to be loosely based – was the first woman Republican to be refused political status in 1976. By 1980, when the film is set, Margaret Thatcher was Prime Minister and doggedly resolute: “There can be no question of political status for someone who is serving a sentence for crime. Crime is crime is crime.” Silent Grace seeks to capture the struggle for the restoration of political status that was at the heart of prison protests in Northern Ireland – not just by the more celebrated male prisoners – but by a smaller number of women prisoners, led by Farrell, at the Armagh Women’s Prison.