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"Bernice" (Sonya Wilde) falls in love with, and marries, the well-to-do "Rick" (James Franciscus) and she soon becomes pregnant. Thing is, though, she has one hell of a secret. His entirely white family do not know that she is, well, not... His mother (Elizabeth Council) begins to suspect something is afoot when "Bernice" can't provide her family at the impending birth and, indeed, the only evidence of her mother's existence comes from a photograph that is less than convincing. As is always the case, the web of lies becomes more and more complicated and harder for her to plausibly sustain - especially when the baby arrives and her curious reactions seriously test her relationship with her husband. My problem with this is the underpinning story is really rather weak and the issues it presents us with are all enveloped in scenarios that are a bit contrived. Neither leading actor here really brings much to the party - in fact, it's really only Council who, briefly, engages. The contentious subject matter was clearly all that was on anyone's mind here - the production and delivery of that potentially potent analysis of racism and bigotry is, however, completely lacklustre and this really smacks of a mid-budget television movie.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
A vulture, a gorilla and a hyena (“with no small resemblances to actual dictators”) bully the woodland animals, who eventually fight back, using the letter V as their victory symbol.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
A substantial insurance payment could mean either financial salvation or personal ruin for a poor black family.
After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.
The Milk Man, a psychopathic murderer who preys upon women. Pinoy Boy, the world’s deadliest Filipino who is tasked with tracking him down. Angelo, the filmmaker who created them and is struggling to find an ending as the lines between his reality and the film blur. Underground auteur Matthew Victor Pastor, aka MVP, attacks racism, gender, love and serial killing in his most free-form, assured, challenging film to-date; the final chapter of his Filo-Aus Trilogy.
In July 2005, black teenager Anthony Walker was murdered by two white men in an unprovoked racist attack in a Liverpool park. He was just 18 years old. This film tells the story of how this talented young man's life might have turned out.
A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.
Based on writer Maya Angelou's eloquent reminiscences of her days as a gifted youngster growing up in the South during the Depression years where she and her older brother were raised by their grandmother after the divorce of their parents.