The Search for the Palace Letters 2024 - Movies (May 4th)
A Losing Game 2025 - Movies (May 4th)
Becoming Katharine Graham 2025 - Movies (May 4th)
Tricks Can Go Wrong 2024 - Movies (May 4th)
Blue 2024 - Movies (May 4th)
Fish War 2024 - Movies (May 4th)
Soul of A Sister 2025 - Movies (May 4th)
Kembang Sepasang 2024 - Movies (May 4th)
Beyond Limits 2025 - Movies (May 3rd)
From the Cowboys Boot Heel The Musical Journey of Rob McNurlin 2025 - Movies (May 3rd)
Meet Cute in Manhattan 2025 - Movies (May 3rd)
Going Places 2025 - Movies (May 3rd)
The Notorious Finster 2024 - Movies (May 3rd)
The Love Club Moms Tory 2025 - Movies (May 3rd)
Homestead 2024 - Movies (May 3rd)
Lilies Not for Me 2024 - Movies (May 3rd)
ROB1N 2025 - Movies (May 2nd)
The Surfer 2024 - Movies (May 2nd)
Thunderbolts* 2025 - Movies (May 2nd)
Lucy Beaumont Live From The Royal Court Theatre 2024 - Movies (May 2nd)
Chris Ramsey Live from London 2024 - Movies (May 2nd)
The Last Drive-in with Joe Bob Briggs - (May 4th)
Have I Got a Bit More News for You - (May 4th)
Girl Meets Farm - (May 4th)
48 Hours - (May 4th)
Bondi Vet- Coast to Coast - (May 4th)
Americas Most Wanted- Missing Persons - (May 4th)
We Got Time Today - (May 4th)
Travel Guides - (May 4th)
The 1 Club - (May 4th)
Lazarus - (May 4th)
Grand Designs New Zealand - (May 4th)
My Music with Rhiannon Giddens - (May 4th)
Cheap European Homes - (May 4th)
Dr. Pimple Popper- Breaking Out - (May 4th)
A Killers Mistake - (May 4th)
All Elite Wrestling- Collision - (May 4th)
The Only Way Is Essex - (May 4th)
New York Homicide - (May 4th)
Scotts Vacation House Rules - (May 4th)
Beer Budget Reno - (May 4th)
Now I can't really blame this documentary for this, but as Rubin Mehta himself says in the preamble, he never wants to hear this piece of music again - and neither did I. His reason is days of practice for this performance, mine is less worthy and more to do with Torvill and Dean's Free Ice Dance routines in 1984. Anyway, to begin with we spend a little time with some of the soloists as they explain the difficulties of playing this piece and of synchronising it within the larger arrangement that Mehta himself is putting together. The flautist, bassoonist and conductor himself give us some interesting insight into just how this piece gently but firmly accumulates to an orchestral crescendo fit to accompany one of the most visceral of Spanish dances. Put in that context and using some intimately crafted direction here, I found myself realising that though I still find this a repetitive piece, I was aware of just how complex the production of such a beautifully rich sound is, and with the conductor lit to look more akin to Rasputin than a musician, I found myself ever so slightly captivated. It's played in it's entirety here and is well worth just letting wash over you for twenty minutes.
After marrying her long lost love, a pianist finds the relationship threatened by a wealthy composer who is besotted with her.
The first film adaptation, and most faithful, of Noel Coward's 1929 operetta Bitter Sweet. This tells the story of Sarah Linden's romance, the tale begins with Sarah, now older, reminiscing about her first love. As a young girl Sarah falls in love with Carl, a musician, and runs off with him to Vienna. They are happily wed and Carl earns a living conducting a small orchestra. Enter a certain Captain who sets his eye on Sarah and proceeds to shower her with his attentions, much to her dismay.
The wait is over! After two long years, Maestro André Rieu is performing again in his hometown of Maastricht! We are proud to present André's brand new summer concert - Happy Days are Here Again!
Frederick Ashton's La Fille mal gardée (The Wayward Daughter) is one of the choreographer's most joyous and colourful creations. Inspired by his love for the Suffolk countryside, the ballet is set on a farm and tells a story of love between Lise, the daughter of Widow Simone, and Colas, a young farmer. It contains some of Ashton's most stunning choreography, most strikingly in the series of energetic pas de deux that express the youthful passion of the young lovers, performed here by Natalia Osipova and Steven McRae. The ballet is laced with exuberant good humour, and elements of national folk dance, from dancing chickens and a maypole dance to a Lancashire clog dance for Widow Simone, performed by Philip Mosley.
Count Basie does a little rhyming rapping before going into this Benny Goodman instrumental composition. While he's playing, plenty of couples are jitterbugging constantly until, one by one, they get tired and start to fall down on the floor.
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
Documentary on conductor Herbert van Karajan, focusing on his early adoption of audio and video recording technology and his impetus to make use of it to preserve his musical legacy for future generations.
This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright's glorious production.