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It’s not the worst remake of all time, but it’s just ordinary. It’s bland, lifeless, vanilla, and feels like what the Lifetime Channel in America would do to a remake of the Tobe Spielberg classic haunting film. I think the only reason Gil Kenan was hired for this movie was because the movie is based around a monster house and he depicted a monster so well in his last film that the job only seemed like a no brainer. The problem is Kenan forgets to produce likable characters and interesting scares during the process of producing an evil possessed house. - _Zevi Wolmark_
> Would have been a better film if it was an original. Unnecessary to compare this with the original and I tried, but impossible to avoid it since it's an official remake. Everything, from the house to frame by frame, all the scenes looked the same, except the cast and it's set in the present world with the daily life's modern gadgets. If you had not seen the 80s film, then there's a little chance you might like it. Though it was not a serious horror movie, or a scary movie to consider, still quite enjoyable like a dark comedy in parts. But I recommend the old one. Really? Sam Rockwell? He did not fit in the role, just okay though. And the kids, did not impress me as like the original movie. The only upgrade in this new version was the technology, CRT monitors to LED kind of stuffs. I expected a major, at least a bit alteration in the story or the screenplay that sets in a different circumstances and the location. That could have been a lot better. Disappoints for those who loved the first version. However, that movie deserved to be remade, and I did not think it would end like this. Hoping for a better sequel, but I'm already feeling that would end in the hands of the second string cast and crew which could be a cheap horror-thrill. 5/10
I had huge reservations about watching this remake, which I felt was completely unnecessary. It wasn't as bad as I had anticipated, and that the bad reviews at the time gave me the impression I should fear or avoid watching it. The special effects were pretty good, and Sam Rockwell, Jared Harris and Jane Adams (how wonderful it was to see her again, after her exceptional work in 'Happiness'!) sold the film for me. I knew what to expect after liking, but not loving, director Gil Kenan's earlier animated 'Monster House', but I was intrigued how his energetic directing would transfer to live-action work. I think they could have made it more suspenseful and scary, but I'm not really sure that was their intention. I think they were going for a family experience with some thrills, chills and laughs...such as the recent 'Ghostbusters' remake was going for. If that was the case, then in that regard it was quite successful. I'm looking forward to re-watching this eventually with my 13-year-old son, horror-film aficionado, Julian, who like me adored the original. If I was to make the perfect 'Poltergeist' film, I would have taken the same exact Steven Spielberg script and simply updated the special effects. I think that would have been a more successful approach.
The movie blurb is written by some 20th Century Fox representative. I would guess that the person in question has not even watched the original movie. “Legendary film makers”? What a load of bull! These people have not produced anything really worth watching and this movie certainly do not improve on that score. I mean, how dumb are these people from 20th Century Fox? I certainly hope the audience are not dumb enough to fall for this obvious lie. Judging from the, well deserved mediocre score on various review sites I guess they did not. Anyway, as for the movie. It is a bleak (cheap) shadow of the original. It has absolutely zero of the charm that the original movie had and, most importantly, none of the characters had anything of the charisma that the original characters had. The father is a total dumbass and an irresponsible at that. The mother could by just any Hollywood style housewife. When you finally think that something interesting would happen, that is when the ghost hunter enters the scene, it just falls flat again. He is just totally lacking in appeal. He is neither a bad ass nor is he mysterious or anything else that makes him worth watching. There are just so much things wrong with the story as well. How can this guy afford and get a one for a house when he apparently do not seem to have a job? He even manages to go for another house in the end after his original one apparently got shredded. How bloody dumb is the script writer? In the original it was a new neighbourhood which explained the “troubles”. In this one it is not which means that the script writer obviously had zero understanding of the original plot which brings us back to the same question again. What the f…? There are some half decent CGI scenes in this movie but the same can be said for a lot of things coming out of the movie industry nowadays (well with the exception of SyFy productions of course). I would say that as a TV-movie it would have been above average. As a remake of a classic it totally falls flat. I am happy that I watched it at home and did not spend time going to a theatre watching it.
Lame horror. 'Poltergeist' offers nothing. It may not be an absolutely awful watch, but there's nothing about this that's good unfortunately. The story is largely predictable and plain, none of the cast give anything close to a performance that's worth remembering. There aren't many, if any, scares either - not great for a film in this genre. As for the onscreen talent, it's slim pickings... not even Jared Harris' late appearance could save things. If I had to pick a standout, away from Harris, it would be Sam Rockwell. The two youngest kids, Kyle Catlett and Kennedi Clements, aren't terrible in fairness. Not one I'll be revisiting. Yawnful.
Anthony and Dolores Montelli, along with their four children, move into their dream house in Amityville and are immediately plagued by a string of paranormal experiences. When the abusive Anthony wrongly places the blame on their children, Dolores recruits a local Catholic priest to exorcise the house.
On a day of solar eclipse, five year old, Naina, loses her eyesight and her parents in a road accident in London. Twenty years later, she is bestowed with the gift of sight thanks to the marvels of modern science. Her period of darkness is over; or is it? A horrifying period of darkness begins. What is this curse that has been upon her? Will she ever be able to escape it? Will this extraordinary s
In future Tokyo, a young woman in the privatized police force tracks down her father's killer while battling against mutant rebels known as engineers.
Frank, Sara and their two children have recently moved into the house of their dreams on the countryside. Frank is disturbed by mysterious sounds and somebody tears down the wallpaper from the walls. He contacts a ghost-hunter, Allan, to find out the truth.
Young couple Steve and Nell move into a once fashionable but now decaying apartment block in Hollywood, and soon realise that a number of young residents have met unusually violent deaths. Before long, Nell makes some disturbing discoveries about the building's manager and her fellow tenants.
A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.
George Lutz, his wife Kathy, and their three children have just moved into a beautiful, and improbably cheap, Victorian mansion nestled in the sleepy coastal town of Amityville, Long Island. However, their dream home is concealing a horrific past and soon each member of the Lutz family is plagued with increasingly strange and violent visions and impulses.
When social worker Rika is sent to check on a traumatized old lady whose family have moved in at the site of the notorious Saeki family murder case, she unwittingly unleashes a cycle of terror that is transmitted via its victims further and further from its original source.
The residents of San Francisco are becoming drone-like shadows of their former selves, and as the phenomenon spreads, two Department of Health workers uncover the horrifying truth.
Dr. Markway, doing research to prove the existence of ghosts, investigates Hill House, a large, eerie mansion with a lurid history of violent death and insanity.
A groovy, spooky and totally dysfunctional ghost story about lost souls smoking cursed PCP obtained from a witchdoctor.