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in 1992, Hollywood had certainly noticed Kenneth Branagh as he frequently achieved both critical and financial success in front of and behind the camera. America discovered what the United Kingdom had known for many years - before excelling in filmmaking, Branagh was a top stage actor and director! It would come as no surprise that the guy who found success bringing Shakespeare plays to modern audiences, honors and acknowledges his elders in a way that American filmmaker egos don't. This short film, **SWAN SONG**, is this on display. Adapted from an Anton Chekhov one-act play, and starring the late John Gielgud as an elderly actor at the sunset of his career. The whole piece is done in one location with only one additional actor, Branagh favorite Richard Biers as a theater employee who supports and understands the actors concerns. At just over 20 minutes, the focus is certainly on Gielgud. On the surface level, there is very little that suggests Branagh behind the camera. Looking a little deeper, the love of language and high drama, with the telling honoring a theatrical legend - Branagh is written all over it. As of this writing, the film is very difficult to watch aside from a couple horrible VHS ripped youtube videos.
At death's door, a thriving businessman meets his old dog Grey, who he heartlessly threw out on the street many years ago.
When Jamie brings a special gift to his ex-boyfriend’s college graduation, he learns that loving someone also means letting them go.
Elisabeth catches her son James kissing a young man. As she now faces a life struggle, Elisabeth decides to fight for what she believes in and cure her only son from his presumed homosexuality. While James in subject to conversion therapy, Elisabeth begins to realize that appearances can be deceiving.
Travelling-Salesman Alfie Zimmer dreams of publishing a book about the graffiti he's encountered on his travels, but when the voices in his head start to get the better of him, he leaves the decision to go ahead with the publication up to fate and he may or may not come out alive.
In an alternate universe, Jada continues her relationship with her deceased boyfriend.
Clara returns to her grandparents' house to celebrate the festivity of San Juan with her younger brothers. Mireia, the youngest, has been living in the house whilst finishing her studies. Despite the siblings' intention to relive their childhood's summer memories, the trip becomes a wheel of tension and silence when they discover that Mireia is prostituting herself with a neighbor from the village that is much older than her.
A night. A car. Alie is in danger. To get by she must make the most important phone call of her life.
