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This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Lowell Thomas travels across Europe and the Middle East on his way to attend the coronation of King Mahendra in Nepal.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
This classic short film shows how to make an igloo using only snow and a knife. Two Inuit men in Canada’s Far North choose the site, cut and place snow blocks and create an entrance-a shelter completed in one-and-a-half hours. The commentary explains that the interior warmth and the wind outside cement the snow blocks firmly together. As the short winter day darkens, the two builders move their caribou sleeping robes and extra skins indoors, confident of spending a snug night in the midst of the Arctic cold!
Johnny Knoxville of 'Jackass' releases unused material of stunts, tricks, antics and shenanigans shot during the production of 'Jackass 3D' that didn't make it into the film, as well as the hilarious outtakes.
In Inukjuak, an Inuit community in the Eastern Arctic, a baby boy has come into the world and they call him Timuti, a name that recurs across generations of his people, evoking other Timutis, alive and dead, who will nourish his spirit and shape his destiny.
Inuit traditional face tattoos have been forbidden for a century, and almost forgotten. Director Alethea Arnaquq-Baril, together with long-time friend and activist Aaju Peter, is determined to uncover the mystery and meaning behind this beautiful ancient tradition. Together they embark on an adventure through Arctic communities, speaking with elders and recording the stories of a once popularized female artform. Central to the film is Arnaquq-Baril’s personal debate over whether or not to get tattood herself. With candour and humour, she welcomes us into her world, to experience firsthand the complex emotions that accompany her struggle. Past meets present in this intimate account of one woman’s journey towards self-empowerment and cultural understanding.
After researching the Flemish horror cinema in "Forgotten Scares", director Steve De Roover - with the help of co-director Jérôme Vandewattyne (Spit'N'Split) - digs deeper in the follow-up documentary "Surrealistic Nightmares" and shows the beginning of Walloon horror cinema in the '20s (!) and how the genre evolved during the following years. Through unique experiences from the original cast and crew, horror experts and various genre journalists, a broad and in-depth picture is painted about the one-of-a-kind horror legacy from the French side of Belgium, without forgetting the difficult cinema landscape of this small country with two very different languages. "Surrealistic Nightmares: An In-depth Look at Walloon Horror Cinema" is illustrated by exclusive behind the scene footage, famous film scenes and loads of original promotional artwork.
Filmmakers Robert Kenner and Melissa Robledo reunite with investigative authors Michael Pollan and Eric Schlosser to take a fresh look at our efficient yet vulnerable food system.