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Four in a Bed - (Oct 22nd)
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What We Do in the Shadows - (Oct 22nd)
Only Murders in the Building - (Oct 22nd)
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I Love a Mamas Boy - (Oct 22nd)
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In 1997, Hirano Katsuyuki, a married, middle-aged AV director, and his 26-year-old actress and lover, Hayashi Yumika, set out to cycle from Tokyo to Hokkaido. Two video versions of their trip already exist, the intimate documentary Yumika and its gonzo porno alter ego 41-Day Adultery Bicycle Tour. Hirano’s Kantoku Shikkaku reframes this ambiguous relationship in light of Yumika’s death in 2005.
Turkish film industry has been experiencing a breakthrough in the last ten years. According to 2015 figures, there is a bold uptrend in terms of viewers and film production. Yet without any regulations at work, this growth only made injustices in distribution bigger. While a single cinema chain controls more then 50% of the market, it also started to control distribution and production. In this monopolized environment, there seems to be no country for independent production. With the guidance of producers, distributors, and economists, the film traces the distortion created by the bad economy that has become an obstacle for freedom of choice.
A 32-year-old PhD candidate Onur finds himself in a dilemma whereby he needs to make a decision between doing paid military service and serving the army for 6 months. Throughout this decision making process Onur not only questions the ethical and political aspects of the choice he will make, but also the compulsory military system in his country. He has only 2 months to decide. Will he go or pay?
Stony Paths is the story of a walk across Anatolia. Arnaud Khayadjanian starts a trek in Turkey, on the land of his forefathers who survived the Armenian Genocide. Starting from a painting, from encounters and from accounts by his relatives, he goes on exploring the little known issue of the Righteous, all these anonymous people who saved lives in 1915.
Seven-year-old Polina and her 13-year-old sister Nastia live and breathe ballet. Both of them are studying at the Boris Eifman Dance Academy in frigid Saint Petersburg. They’re currently awaiting their grades to find out if they’ve done well enough to be promoted to the next year, with Nastia lovingly guiding he little sister through the process. But in the meantime, Nastia also has to deal with the high demands that the academy places on its students. The gorgeously styled shots are sometimes calm, even clinical, and sometimes warm, lively and funny.
In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.
In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.
The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.
Anna Del Conte is The Cook Who Changed Our Lives and the instrumental force in leading Britain beyond the land of spaghetti bolognese and tinned ravioli. Featuring and narrated by Nigella Lawson, Anna’s most ardent advocate, and starring a cast of familiar faces including: Giorgio Locatelli, Antonio Carluccio, Hugh Fearnley-Whittingstall, Prue Leith and Tom Parker Bowles, this film reveals how a Milanese cook, now 91, changed Britain’s attitude to Italian food at a time when we could only buy olive oil in Soho or the chemist. Infused with cherished recipes, revealing archive and personal testimony, The Cook Who Changed Our Lives time travels through Britain’s social history to reveal how we experienced and enjoyed our first taste of Italian food.