Simultaneously one of the most pretentious and brilliant things I have ever seen. If you love Nick Cave and the Bad Seeds, you will love this. If you find his music dark and too much hard work, stay away. 8/10
I wouldn’t hesitate to call Nick Cave a genius, especially not after watching 20,000 Days on Earth – and yet, the beauty of this biofictional film, co-written by Cave with directors Iain Forsyth and Jane Pollard, is its humility. Most movies about musicians, particularly rockstars, suffer from what we might call The Amadeus Syndrome; in contrast, 20,000 Days is a refreshing reminder that you must let inspiration find you working – and by ‘you’ I mean anyone; if Cave himself is a genius, it's not because all his ideas are right, but because he has the right idea about all ideas: “We cannot afford to be idle. To act on a bad idea is better than to not act at all, because the worth of the idea never becomes apparent until you do it. Sometimes this idea can be the smallest thing in the world, a little flame that you hunch over and cup with your hand and pray will not be extinguished by all the storm that howls about it. If you can hold on to that flame, great things can be constructed around it that are massive and powerful and world-changing... all held up by the tiniest of ideas”. This certainly is a film about the thought as well as the deed. We see Cave and the Bad Seeds working in the studio and performing onstage, but the movie reaches farther back, to the genesis of a song and even what lies before that – the ‘pre-song,’ if you will. We learn that everything – including “every secret, sacred moment that exists between a husband and a wife” – may be “cannibalized and ground up and spat out the other side in the form of a song, inflated and distorted and monstrous.” We learn also that songs are born from chaos (“Counterpoint is the key. Putting two disparate images beside each other and seeing which way the sparks fly”), “wild and unbroken,” and it’s the songwriter’s task to grab a hold of them in this protean state and not let go until they “become domesticated … something familiar and compliant.” This is no mean feat, considering that Cave’s songs aren’t your typical ‘verse-bridge-chorus’ compositions; “Higgs Boson Blues”, featured in the film, is an outstanding example of a stream of consciousness-type song whose greatest strength is its apparent spontaneity – and indeed, if Cave wasn’t reading the lyrics off a notebook as he sings them, we might be tricked into believing he’s improvising them right there on the spot. The movie as a whole is deceivingly effortless – one of those small ideas around which something great has been constructed.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Movie Star Rating : 6.2 Read More
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Unable to afford proper menstrual products, Chloe is constantly faced with anxiety and humiliation; this is not the first time this has happened and it won’t be the last. 'Absent' is based on multiple true stories and made in association with Freedom4girls. It aims to raise awareness around period poverty in the UK.
Movie Star Rating : 8 Read More
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Movie Star Rating : 5.2 Read More
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Movie Star Rating : 0 Read More
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
Movie Star Rating : 7.2 Read More
When Sam Baldwin's wife dies, he is left to bring up his eight-year-old son Jonah alone, and decides to move to Seattle to make a new start. On Christmas Eve, Jonah rings a radio phone-in with his Christmas wish to find a new wife for his dad. Meanwhile in Baltimore, journalist Annie Reed, who is having doubts about her own relationship, is listening in.
Movie Star Rating : 6.7 Read More
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