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**The actors and their generation difference, evolution of cinema and the beauty of nature.** This is about a middle aged actress who spends in the Swiss Alps with her personal assistant while preparing for the upcoming project. During that time, she receives a news that the author of the book which was adapted for the screen 20 years ago where she play a main role and now in its remake, she's doing another part, while a young sensation playing the main part. This is more like the evolution of cinema. The 20 years is too soon for her, while the cinema and its trend advanced rapidly. Precisely to say, the commercial films and young actors taking over the art films and true artists' places respectively. If you at least 30 years old, you would get this film more than others. Because while I was growing up in the 90s, the cinema was so different. I'm not talking about the technology like computer graphics, but the story and how it was narrated for the screen. Now the science- fiction and dystopian themes taking over with the young audience and social media support. I think it was a quite meaningful film, particularly if you adore films like the recent evolution in cinema was so faster than ever. The negatives were, the film was too long, slow pace and too simple drama. The positives were, the actors and their performances, the locations, theme and some of the dialogues. Directed by a French filmmaker, this is an international project with a few guest appearances. Most of the film was set in the Alps. Totally different than what I was anticipating, but I still like, except in a few parts where I got bored for its weak development. So this is for the selected audience, that mean it will be appreciated by a very few and I'm kind of neutral with mostly in its favour. _6/10_
On the way to accept an award from the playwright that discovered her - the very same man who suddenly passes away before the ceremony - acclaimed actress, Maria Enders, is forced to reconcile both her age and her role in contemporary art. While rehearsing for a role, of which she has no choice taking due to her age, she has to reckon with the young actress playing her old role. This is a slow-paced movie, that is, it takes its time revealing the deteriorating confidence of an aging actress. What accentuates her strife are the locations: the lonesome mountains, long winding roads, both straddled by rolling, ground-smothering fog and clouds. Great lingering shots and cinematography eases the eye, as Maria rehearses and incrementally loses her mind with her young assistant, Valentine. Although her assistant attempts to defend what her boss deems as insufficient art (or cinema) and unprofessional (particularly the young costar of the upcoming play), Maria threshes with the stifling fact that her roles - both her role in the play and in the world of art - are changing without her control or consideration. The acting in this film is commendable, with a solid performance from Juliette Binoche (as always) and a surprising effort from Kristen Stewart. These two carry the movie with palpable chemistry - so much so that every turn in their relationship dictates not only the environment of the film, but also the audience. This film is for the patient, and for those who don't mind huge questions.
“We're not allowed to regret anything. If we're sincere, then we're the sum total of our experiences ... with no exceptions.” Art and Reality - one imitates the other. But which is the imitator and which is the creator? That invisible thread between art and reality is the heart of this film. Olivier Assayas has created a complex, intelligent, layered psychological drama, where the "stage script" and the film are connected by the gossamer art-reality thread. Juliette Binoche and Kristen Stewart delivered masterful performances with all the nuances required to bring Assayas' vision to life. The first third of the movie appeared to be bland, disjointed, and even on the edge of ennui. At the end, I realized the brilliance of this work that, in fact, there were no unnecessary scenes.
In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.
In honor of his birthday, San Francisco banker Nicholas Van Orton, a financial genius and a cold-hearted loner, receives an unusual present from his younger brother, Conrad: a gift certificate to play a unique kind of game. In nary a nanosecond, Nicholas finds himself consumed by a dangerous set of ever-changing rules, unable to distinguish where the charade ends and reality begins.
Hayley’s a smart, charming teenage girl. Jeff’s a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff’s place. Jeff thinks it’s his lucky night. He’s in for a surprise.
A man cannot bear the superficiality of human relationships, and when his best friend lets him down, he commits suicide by jumping off a skyscraper.
She loves to ride in the bus and read smart book ... He likes to sit by the water and drink soda ... She loves to write down their thoughts on the fly and be glad that they do not end ... He likes to watch as boats come and invent passengers biography ... She loves ice cream and menthol cigarettes ... And he - horses and storefronts ... She had to roam the streets at night, even if you do not want to ... he loves the city nightlife, which helps him to dream ... and one day ... quite by accident ... They meet ... hE and SHE ...
Dean has been stumped for some time in his attempt to produce a follow-up to "I was a Teenage Speed Freak," his incredibly successful graphic novel. His fans expect great things from him and his editor, Louise, is hounding him. Instead of working, however, Dean spends his time searching for his Argentine lover Pablo, who went out one night for cigarettes and never came back.
Matt Lee Whitlock, respected chief of police in small Banyan Key, Florida, must solve a vicious double homicide before he himself falls under suspicion. Matt Lee has to stay a few steps ahead of his own police force and everyone he's trusted in order to find out the truth.
A contemporary, ensemble drama that tells the complex tale of six high school students whose lives are interwoven with situations that so many of today's youth are faced with. The story takes place during a normal school day. At precisely 2:37 a tragedy will occur, affecting the lives of a group of students and their teachers.
Elisabeth and Gudrun are two Swedish divorcées, both over 40, who meet when Elisabeth parks her car on a loading zone and is ticketed by Gudrun. Despite this shaky start, a friendship grows between the two. Elizabeth, a gynecologist, is sexy and confident. She leads the shy Gudrun through the dangerous waters of single life. But as they cavort through the dance floors and bars of Stockholm's nightlife they are led to a deeper examination of the relationships with men.
