Femme Fatale

Good-looking but virginal "rockstar" teen Tommy (Michael Morgan) tries to score with some of the local high school girls. But a classmate's mom (Dame Joan Collins) decides to make a man out of him.

Paula and Edmund are peacefully married until she meets Nicanor, a composer who happens to be their neighbor. Edmund feels troubled after seeing Paula seeing interest in Nicanor. Could it be that Nicanor is the man who will destroy their lives?

Crystal, a wealthy, scorned woman living in a massive Egyptian palace with her daughter Magda, finds commiseration in a dried-up Hollywood expat who surrounds himself with singing children.

After a psychoanalyst unsuccessfully tries to convince four sisters that they are not 200 year old vampires, the Queen of the Vampires promulgates the cause of the Undead.

Bruce is a telephone lineman who accidentally overhears a murder plot. When 911 informs him that there is nothing that they can do about it, he takes matters into his own hands, and gets entangled in a world of sex and mystery.

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

Down at the docks a very enterprising but dangerous element is making life miserable for Sheriff Marga. But she is distracted by a series of puzzling kidnappings that is plaguing her parish. Could the culprit be the mysterious Queen - the dance hall queen of the docks? Or could it be an even more sinister figure: The Killer Tarantula?

There is a war in the world between the men and the women. A young girl tries to escape this reality and comes to a hidden place where a strange unicorn lives with a family: sister, brother, many children and an old woman that never leaves her bed but stays in contact with the world through her radio.

A young woman is trained by a martial arts specialist to become a professional assassin.

The town's wealthy benefactor dies, and leaves a bizarre bequest: unless one of the self-righteous citizens can produce an illegitimate child in 9 1/2 months, all his money goes to homeless cats, and they must start paying taxes.