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The Last Word with Lawrence ODonnell - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
Renters - (Mar 29th)
Motorway Patrol - (Mar 29th)
The First 48 Presents Critical Minutes - (Mar 29th)
Theresa Caputo- Raising Spirits - (Mar 29th)
The Cook Up with Adam Liaw - (Mar 29th)
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Taking the Stand - (Mar 29th)
The Trades - (Mar 29th)
Family Guy - (Mar 29th)
We Were the Lucky Ones - (Mar 29th)
Royal Crackers - (Mar 29th)
Summer House - (Mar 29th)
The Nature of Things - (Mar 29th)
Manhunt - (Mar 29th)
The Reluctant Traveler with Eugene Levy - (Mar 29th)
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One could say, and would more often than not be proven right, that European films boast a maturity and sophistication sorely lacking in Hollywood movies. However, now and then Old Continent filmmakers can’t help but succumb to the vices of their American counterparts, and the outcome is something along the lines of this movie – which not only features an appearance by the dreaded Red Digital Readout, but also revolves around a Hitman with a Selective Conscience (who additionally happens to be physically old and mentally infirm, none of which prevents him from being always One Step Ahead). The killer’s name is Angelo, and as the AllMovie overview correctly points out, “it goes against Angelo's principles to kill a child.” I’m pretty sure the word “principles” is used in that sentence for lack of a better term, because as far as tenets go, Angelo’s are seriously warped. From a strictly moral standpoint, there is absolutely no difference between murdering an adult and murdering a child, but somehow we are supposed to be able to tell a ‘good’ assassin from a ‘bad’ one based on whether or not they are willing to make age distinctions. What doesn’t occur to Angelo and his ilk is that children grow up to become adults, so that in a few years it will magically no longer be against his principles to kill the very same person whose life he is currently so hell-bent on preserving (and who’s to say what the cutoff age is anyway? What if I remain a child at heart?). By the same token, we are all somebody’s children – even God’s children if you want to get theological about it –, aren’t we? So technically we should all be off limits. But who knows? Maybe this double standard is a sign of the character’s cognitive decay, in which case director Erik Van Looy is a whole lot more clever than I’m giving him credit for (I sincerely doubt it, though).
Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, Chuan says, “I saw this body was empty, so I moved in.
A dim-witted yet kind-hearted boxer, Terry Malloy, who failed to succeed unintentionally lures a man to his death after being tricked by a criminal called Johnny Friendly whose men pick of every man who has the courage to speak up to their crimes. As he works on the waterfronts that Friendly owns, he is sent to a church meeting run by a good preacher about how to deal with the problem and runs into the dead man’s sister. Slowly, he falls in love with her and begins to feel guilt about his crime.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate businessman seeks revenge on his captors.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Diamonds are stolen only to be sold again in the international market. James Bond infiltrates a smuggling mission to find out who's guilty. The mission takes him to Las Vegas where Bond meets his archenemy Blofeld.
Cool government operative James Bond searches for a stolen invention that can turn the sun's heat into a destructive weapon. He soon crosses paths with the menacing Francisco Scaramanga, a hitman so skilled he has a seven-figure working fee. Bond then joins forces with the swimsuit-clad Mary Goodnight, and together they track Scaramanga to a Thai tropical isle hideout where the killer-for-hire lures the slick spy into a deadly maze for a final duel.
Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Two guys against globalization want to plant a virus in the network of a finance corporation. On the day of the attack Alex has an accident and cannot remember anything. Visions and reality are thrown together in a confusing maze. Alex tries to escape from this muddle but what he discovers turns out to be rather frightening…
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her office, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.