Spilled Water

A tragic-comic tale with surrealistic tendencies about a lost 23-year-old who is haunted by her disappointed 13-year-old self.

Filmmaker Nadia el Fani explores secularism in the predominantly Muslim country of Tunisia before and after the fall of Ben Ali.

The corridors, stairways and platforms of a subway station are juxtaposed with the human body, each broken into parts and positioned in an existential consideration of the transient spaces we unconsciously traverse everyday.

CHRONIC is an experimental narrative about a young woman who began mutilating herself as a girl to cope with a traumatic mid-western childhood. The lush optically-printed scenes take Gretchen’s point of view from her punk youth, a stay in a mental hospital, and her release into the big city. Scripted scenes are inter-spliced with documentary and found footage, illustrating the culture Gretchen lives in, her inner world and relationships from her birth to her final day.

The imagined life of one of the world’s most famous authors, Emily Brontë, as she finds her voice and writes the literary classic Wuthering Heights. Explore the relationships that inspired her – her raw, passionate sisterhood with Charlotte and Anne; her first aching, forbidden love for Weightman and her care for her maverick brother whom she idolises.

The Head of a Pin reveals the awkward ruminations of the filmmaker and her friends as they attempt to learn about nature. Starting out as an examination of the differences between urban and rural life, between the daily grind and summer vacations, the film turns unexpectedly into a portrait of what happens when city dwellers encounter a country spider.

After a twenty year period of multiple illnesses and injuries, the filmmaker turns the camera on herself as a way to analyze her chances for a happier, healthier life. In the process, she captures the frustration, tedium and petty annoyances of a revolving-door relationship with the medical establishment, while portraying the complicated web of emotions that accompany any medical problem. With humor and honesty, The Odds of Recovery uses the filmmaker's medical history as a means to address a perennial human problem: the desire to avoid conflict and deny the need for radical change.

Eight friends throw a goodbye party to welcome the end of the world.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

A Comorian village. Djibril spends his frees time taking care of an abandoned villa. While he is busy there, his cabin catches fire. Homeless, he must find a place to live.

Satoshi returns to Taketomi Island to take part in his grandmother's 97th birthday 'mandala' party, a special celebration that's unique to this island. Just as he arrives at her house, he learns that she has just passed away. The next day from his grandmother's diary, they discover a long kept secret...