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Lost count the number of times I've watched The Bourne Identity but it's still a fantastic action-thriller with Matt Damon perfectly cast in the lead which if I recall at the time he was only known for dramas. Some issues with how the sequels were handled, mainly (in TBU) the suggestion Bourne and Nicki (Julia Stiles) had some sort past relationship when it's pretty clear he was just another black ops agent. In any case, still works almost 20 years later and I'm sure I'll revisit this one again. **4.0/5**
**The Bourne Identity returns the spy genre to hard-hitting realism with face-paced hand-to-hand combat, clever espionage, and a great lead.** In the early 2000s, when James Bond was surfing on laser-melted glaciers and fighting diamond-crusted henchmen and Ethan Hunt was dual-weird diving through a flock of doves, The Bourne Identity charted a new path. Doug Liman took Good Will Hunting’s Matt Damon, whose biggest action role to this point had been watching Tom Hanks die to save him in Saving Private Ryan and turn him into a hardcore action hero. But unlike Bond and Mission Impossible, Bourne was a grounded and gritty spy that used skill and ingenuity to overcome the duplicitous intelligence agencies that wanted him dead. The action is more realistic and brutal, with the punches landing harder and pens stabbing deep. The Bourne Identity reinvented the spy genre.
Matt Damon ("Jason Bourne") is fished out off the sea by a passing fishing boat and after having had bullets removed from his back, determines to find out just what happened to him. One slight snag - he has absolutely no idea who he is! Luckily, his rescuer has some skill with a scalpel and aside from the bullets, he removes a small gadget that contains details of a Swiss bank account that ultimately gives him a name, but asks far more questions than it answers. He goes to the US embassy, but that doesn't quite go to plan and in escaping picks up the feisty "Marie" (Franka Potente) and the two have to evade chasing police and would-be assassins as they try to discover the mystery of "Treadstone". It's a gripping, end-to-end spy thriller with short, refined, fight scenes that genuinely engenders suspense and peril. Robert Ludlum's story survives largely intact and Damon, alongside a suitably duplicitous performance from Brian Cox, deliver well.
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.
In 1970s London, Scotland Yard orchestrates the downfall of mob boss Vic Dakin after he crosses the line by blackmailing Members of Parliament.
Laya is a young professional photographer who has drifted away from her family. Her father has fallen ill, but she hasn’t once come to visit him at the hospital. Her mother, who left their family when Laya was a child, returns to urge Laya to make amends with her father, but Laya’s pain goes deeper than her mother suspects. Laya is sent to the provinces to document a ritual of a disappearing indigenous tribe, and there, she inadvertently comes face to face with her own demons as she observes the relationships of the last remaining members of this dying culture.
1930s Korea, in the period of Japanese occupation, a new girl, Sookee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.
After his car breaks down, Jack seeks shelter, lost in a thunderstorm in a remote shack in the woods. He finds himself held at gunpoint by a deranged mountain man who lives there with his young wife. As the storm rages on, tension mounts in the small cabin. Matters reach a climax when Jack falls for the beautiful woman and tries persuading her to escape with him. Soon, the situation escalates into deadly violence...
Wolf Brandin is in his mid-twenties and lives with his wife and child in East Berlin at the end of the 1950s. In West Berlin, the student of electrical engineering is recruited by the American secret service CIA. But Brandin immediately notifies the State Security of the German Democratic Republic and from then on lives a dangerous life as a double agent. When Brandin reaches the breaking point, his marriage starts to unravel because Brandin is not allowed to tell his family about his double life.
A broadly drawn ideological epic set in the summer of 1947 in the borderlands of northern Bohemia: reactionary elements plot to undermine postwar social change while committed local communists struggle to organize workers and defend the emerging order. The narrative follows several archetypal figures—steadfast party activists, wary peasants, and obstructive reactionaries—whose clashes illustrate the claimed inevitability of working-class victory under communist leadership.
A former actress trying to break into directing tests her skills with a town’s annual Christmas Eve courtroom production in which the true authorship of the famous poem “A Visit from St. Nick” is debated.
Twenty-year-old Karel is expelled from Bata's school of work and has no choice but to make his way in his uncle Kubát's publishing business at any cost. A very drastic adaptation of the draft has fundamentally changed the whole story, which is also set in a completely different historical context. The result was a schematic and tepidly propagandistic poster.
A British agent's son is kidnapped and held for a ransom of diamonds. The agent finds out that he can't even count on the people he thought were on his side to help him, so he decides to track down the kidnappers himself.
A casino security guard is forced into violence from when the Hong Kong mob threatens his friends.