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Taronga- Whos Who In The Zoo - (Dec 12th)
The Day of the Jackal - (Dec 12th)
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Star Trek- Lower Decks - (Dec 12th)
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All Elite Wrestling- Dynamite - (Dec 12th)
Mysteries of the Abandoned - (Dec 12th)
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Mystery at Blind Frog Ranch - (Dec 12th)
Sold on SLC - (Dec 12th)
Alex Wagner Tonight - (Dec 12th)
Storyville - (Dec 12th)
Dont Hate Your House with the Property Brothers - (Dec 12th)
House of Payne - (Dec 12th)
Frontline - (Dec 12th)
Roadworthy Rescues - (Dec 12th)
Expedition Files - (Dec 12th)
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Go Away, Go Away, Go Away! Our Mother’s House is directed by Jack Clayton and adapted to screenplay by Jeremy Brooks and Haya Harareet from the novel of the same name written by Julian Gloag. It stars Dirk Bogarde, Margaret Brooks, Pamela Franklin, Louis Sheldon Williams, John Gugolka, Mark Lester and Yootha Joyce. Music is by Georges Delerue and cinematography by Larry Pizer. When seven youngsters are left orphaned by the death of their bedridden mother, they decide to keep her passing quiet case they get split up and sent into orphanages. The youngsters prove to be quite resourceful and tick along nicely, that is until one of the boys brings a friend home to live with them; just as the children’s estranged father appears on the doorstep. At first glance it seems material ripe for an Ealing Studios piece, a whimsical fable of adorable youngsters taking on the world in trying circumstances, Our Mother’s House is a far cry from such a thing! It’s a creepy off-kilter film of some considerable class, containing psychological insights into seven children adapting and improvising in life by creating their own new order. The results are both enlightening and frightening. They have a weekly séance type of set-up where they believe they are talking to their dead mother, they administer their own punishments and forge their own cheques! But of course this self sufficient life can’t possibly last… Children of the beguiled. Once their supposed father Charlie (Bogarde brilliant) arrives on the scene, the applecart is well and truly upset. He evokes a number of different passions in the children, good and bad, but he seems a genuine guy, however, both Charlie and the children have new colours yet to be revealed, and once out in the open all will form the potent and dramatic last quarter. The child actors are excellent, well guided by Clayton (The Innocents), who manages to bring out the various states of emotional confusion upon the death of the mother. Joyce in a rare serious role is good “Cougar” foil for Bogarde, Delerue’s music is very much in tune with the weird feel to the plotting, and Pizer’s photography really hits the psychological assistance markers, being particularly striking in the finale as the door to Hades is opened. Clayton and Bogarde were never happy with the finished film, but that's no marker to the quality on show here. It’s all a bit implausible of course, but very rarely does the pic disappoint. 8/10
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her office, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs".
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
After a serial killer strangles several women with a necktie, London police identify a suspect—but he claims vehemently to be the wrong man.
A couple vacationing in Morocco with their young son accidentally stumble upon an assassination plot. When the child is kidnapped to ensure their silence, they have to take matters into their own hands to save him.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.