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Go Away, Go Away, Go Away! Our Mother’s House is directed by Jack Clayton and adapted to screenplay by Jeremy Brooks and Haya Harareet from the novel of the same name written by Julian Gloag. It stars Dirk Bogarde, Margaret Brooks, Pamela Franklin, Louis Sheldon Williams, John Gugolka, Mark Lester and Yootha Joyce. Music is by Georges Delerue and cinematography by Larry Pizer. When seven youngsters are left orphaned by the death of their bedridden mother, they decide to keep her passing quiet case they get split up and sent into orphanages. The youngsters prove to be quite resourceful and tick along nicely, that is until one of the boys brings a friend home to live with them; just as the children’s estranged father appears on the doorstep. At first glance it seems material ripe for an Ealing Studios piece, a whimsical fable of adorable youngsters taking on the world in trying circumstances, Our Mother’s House is a far cry from such a thing! It’s a creepy off-kilter film of some considerable class, containing psychological insights into seven children adapting and improvising in life by creating their own new order. The results are both enlightening and frightening. They have a weekly séance type of set-up where they believe they are talking to their dead mother, they administer their own punishments and forge their own cheques! But of course this self sufficient life can’t possibly last… Children of the beguiled. Once their supposed father Charlie (Bogarde brilliant) arrives on the scene, the applecart is well and truly upset. He evokes a number of different passions in the children, good and bad, but he seems a genuine guy, however, both Charlie and the children have new colours yet to be revealed, and once out in the open all will form the potent and dramatic last quarter. The child actors are excellent, well guided by Clayton (The Innocents), who manages to bring out the various states of emotional confusion upon the death of the mother. Joyce in a rare serious role is good “Cougar” foil for Bogarde, Delerue’s music is very much in tune with the weird feel to the plotting, and Pizer’s photography really hits the psychological assistance markers, being particularly striking in the finale as the door to Hades is opened. Clayton and Bogarde were never happy with the finished film, but that's no marker to the quality on show here. It’s all a bit implausible of course, but very rarely does the pic disappoint. 8/10
Zuhra has nothing to do but to runaway after her family forced her to marry an old rich man. She goes to Alexandria where she works in a motel and there she meets people with different ideologies and thoughts about life.
Spoiled rich girl Nadia gets jealous after finding out her father's plan to remarry. She tries to break them apart, spreading lies about her new mother-in-law and getting involved with a man twice her age.
Ambar & Dika have just begun with a new chapter of life when years-old grudge of a malicious entity unfolds before their eyes. With a gift she unwillingly has, Ambar is now forced to finish the vengeance of the entity, a headless Dutch spirit, Ivanna.
Set in turn of the century Helsinki, author Arvo Helavalla's novel makes an indelible impression on adolescent Auli Ranta. She idolizes the author of a work that can never be forgotten.
Samar wants to be successful in life but his parents force him to get married. His wife is shy and reserved and Samar does not like this. The other members in the family often ill-treat her.
Adapted from the novel with the same title. This is a tragedy that occurs in modern China. By a vivid description of the frustrated life story of Gao Jialin, a high school graduate who is first dismissed from teaching post and then enrolled as a journalist in the city and finally dismissed from the post and become a farmer again, this movie presents the young man as a serious issue of how to deal with their life.
Two young Nicaraguan children, Saslaya and her mute brother Dario, must travel to Costa Rica to find their long-lost mother.
Pasi returns to his childhood town, asked to reconfigure the local plywood factory. With a child on the way with his upper-class wife, Pasi sees an opportunity – this is his ticket to climb the professional ladder in the company. On arrival, he bumps into his childhood friend Janne, who works in the factory he is about to downsize. Pasi begins to struggle with the fact that he is supposed to care for the profits – not for the people.
Doctor Beiral, torn apart by the internal struggle between his social persona and the dark instincts that torment him, manages to use his investigations to give life to the monster that he has long held within him.
A mysterious virus spreads out. Anyone infected feels the emotion of love, and the emotion amplifies until it kills the person in love. The pessimist Taek-seon, who likes nothing in life, is infected, and the researcher Gyun reaches her out to test her the medicine that he's developing. Soon Gyun finds out Taek-seon has special antibody, but Taek-seon slowly feels love to Gyun. Is this a real love or just a virus?
Ruby Landry is filled with hope as love blooms with her high school sweetheart Paul Tate. But lingering thoughts of her mysterious father and her mother's death often creep into Ruby's mind.