四大名捕2

Two teenage girls discover that mermaids really do exist after a violent storm washes one ashore. The mermaid, a sassy creature named Aquamarine, is determined to prove to her father that real love exists, and enlists the girls' help in winning the heart of a handsome lifeguard.

Hoping to find their uncle in the big city, siblings Siu-Tong and Chee-Loy end up offending the local gangsters and attracting the drug traffickers. As if luck would have it, they are now the Interpol's best friends, as the police wants their assistance in trapping the bad guys at a triad banquet gathering…

When LexCorp accidentally unleashes a murderous creature, Superman meets his greatest challenge as a champion. Based on the "The Death of Superman" storyline that appeared in DC Comics' publications in the 1990s.

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).

Laura's thrilled with her new boyfriend, not so thrilled that his house is haunted by the ghost of his dead wife. But when she finally decides enough is enough, it turns out playing ghost buster is harder than she thought. Over a night that includes microwave s'mores and a shoot-out with holy water, Laura has to ask herself-how do you exorcise a ghost whose name is on the lease?

Police officer Tom Sharky gets busted back to working vice, where he happens upon a scandalous conspiracy involving a local politician. Sharky's new 'machine' gathers evidence while Sharky falls in love with a woman he has never met.

A semi-biographical account of Yip Man, the first martial arts master to teach the Chinese martial art of Wing Chun. The film focuses on events surrounding Ip that took place in the city of Foshan between the 1930s to 1940s during the Second Sino-Japanese War. Directed by Wilson Yip, the film stars Donnie Yen in the lead role, and features fight choreography by Sammo Hung.

927 AD. The Killer-Blade Army has toppled the ruling dynasty, plunging the kingdom into chaos. The only remaining heir, Prince Jung-Hyun is living in exile, unaware of his family's dark fate. Still loyal to the dynasty, the beautiful and deadly warrior Soha sets out to find Jung-Hyun and guide him to become the great leader he was born to be. But with the Army's greatest assassins and the criminal underworld hunting them, Soha and Jung-Hyun are swept into an explosive, non-stop battle of swords, wits and bloodshed as they fight to reclaim the fallen throne.

Complicated mix of Chinese history and myth, where old Shaolin friends find themselves on different sides, one a Ching general, and the other faithful to Ming.

During the weekend of Thanksgiving, aliens put their plans to take over the Earth in motion. Two friends, Mike and Jesse, appear to be the only thing to stand it the way (if it wasn't for the fact they are somewhat clueless to the invasion.) But with a little help from an over the top grump they may just have what it takes to get a clue and fight back.

Part religious allegory and part church pageant, it presents the heavenly trial of a woman who has died giving childbirth out of wedlock. The jailer wears a mask death's head mask and a nun's habit with a skull and crossbones on the front and God sits on an altar, flanked by angels, while the devil attempts to convict the woman for her sins. Shot with a handheld camera that doesn't always remain steady or keep the scene in frame, it is full of religious imagery and evocative folkloric elements, with flashbacks to the woman's life that provide a realism in sharp contrast to the allegorical pageantry. It shows its amateur origins, the texture, the pageantry, and the allegorical and ritualistic elements also looks forward to the American Underground cinema of Kenneth Anger, Curtis Harrington, and others in the 1950s and 1960s.