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Police 24/7 - (Mar 28th)
Cóyotl, Hero and Beast - (Mar 28th)
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The Last American Vagabond - (Mar 28th)
First Dates Ireland - (Mar 28th)
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After the First 48 - (Mar 28th)
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Hadn't seen this one in many years, maybe last time was back in high school 20+ years ago. Delightful musical-comedy featuring the great Gene Wilder and deadpan, sarcastic humor that I immensely loved. Also the production design was excellent and musical numbers, including the catchy Oompa songs were wonderful. **4.25/5**
Yeah, it's a lot better than the Johnny Depp version isn't it? Probably because this one is fun and entertaining and the Depp one was was a Tim Burton film and felt kind of pretentious didn't it? Clearly this version doesn't look as visually pleasing, but it makes up for that in earnest heart, a few good tunes, and a titular character that is always delightfully entertaining to watch. Gene Wilder really sells it without being creepy doesn't he? And the first time you watch it you don't think about it... but it's a really thin line he had to walk to come across as not creepy and still be eccentric and fun and he pulled it off in spades. I didn't really think about it as a kid, but as an adult (especially with Burton's) it's one of those things where Wilder should have won an Oscar. It was Academy Award worthy and the film was made in '71 where the Academy Awards still meant something. Gene's devastatingly on target performance aside, this is just a fun film that the family deserves to see and it certainly needs to be lauded over the remake.
**Much better than the 2005 film, but I still think it would be more interesting as an animated film.** When I saw the 2005 film, starring Johnny Depp, I was not satisfied at all: the film seemed more effective as an animation than as a conventional CGI loaded film. However, I was unfamiliar with this one, I didn't know the original book, by Roald Dahl and I only realized all this when I was writing my review of that film, and I immediately decided that I would watch the older film when I could. I saw this film yesterday, and the comparison between the two productions was inevitable. I still think that an animated film would be more interesting, but I recognize that this production has more charm than the bloated, CGI-clogging overproduction of 2005. Everything seems more realistic and credible, magic is something we can believe in naturally. I understand the appeal that a chocolate factory might have for a child: I lived near one, and just the smell on the street was indescribable. However, this film offers us a spectacle of light, color and joy, and transforms that magical place into a convincing thing that we, for a moment, would love to visit. The cinematography, visual and special effects and the good design of the sets and costumes are essential to achieve this, and everyone is to be congratulated. There's something here that's strangely psychedelic, but that's subtle enough. Mel Stuart was faithful to the original tale, so the story remains the same: the modest and sincerely good Charlie, the mysterious factory that no one knows, and no one knows how it works without workers, the eccentricities of Willie Wonka, the unnerving songs of the Oompa Loompas, children full of defects and stubbornness, parents overly condescending. The interpretations end up making the difference: Gene Wilder gives us a more affectionate and sweet version of Wonka, less focused on his eccentricities, and the result of his work is a memorable and anthological representation that marked the rest of his career. Peter Ostrum is perfectly convincing in the role of Charlie, and Jack Albertson also shined in his role. There's really only one problem with this film, at least for me: I can't like the Oompa Loompas at all. In addition to looking like a kind of slave labor (they were supposedly rescued from their country so that they wouldn't all die and accepted to work for their savior out of gratitude), they are annoying with their songs and have a perfectly bizarre look.
"Charlie" lives in one room with his mother and four grandparents all sharing the same bed and sustained on a diet of cabbage soup! Then the eponymous chocolatier announces a chance of a lifetime. In only five of the tens of millions of bars of chocolate they produce, there will be hidden a golden ticket. Find the ticket and you win a trip around the factory. Now his family clearly don't have much money so his chances aren't high, especially as he watches the television and sees a collection and spoiled and obnoxious children with equally odious parents snap them all up. What chance when he finds some money on the street that the bar he buys will win? Well that bit of the story hardly requires Sherlock Holmes, but he does receive an intriguing proposal from competitor "Slugworth" before he and his "Grandpa Joe" (Jack Albertson) arrive at the appointed time. Out comes a purple velvet clad gent with a big hat - that's the hugely eccentric "Wonka" (Gene Wilder) who speaks a form of gobbledygook and promises them a trip of a lifetime! There is something of the parable about the ensuing story as the children face tests of character and fall foul of their own excesses with the occasionally quite menacing "Wonka" ensuring that just desserts are dished out to the wrongdoers. It's got to be the ultra-petulant "Veruca Salt" (Julie Dawn Cole) who topped my list of those deserving the compost heap, but "Mike Teevee" (Paris Themmen) wasn't far behind. As we travel through the place we are introduced to the mysterious "Oompa Loompa" people who keep the place running and help him produce the perfect chocolate but the big question is, though, will "Charlie" and "Joe" make it through the challenges of the trip themselves? Wilder is on super form here as he takes them on a moral maze that is just as sugar coated as the candies, and Leslie Bricusse and Anthony Newley have written some of the best songs to grace the silver screen. "Pure Imagination", "The Candy Man" and the delightfully annoying "I Want it Now" from the aptly named "Veruca" all top off a colourful, acrobatic and magical tale of trust and decency that you can't fail to enjoy. Perhaps Roy Kinnear sould have considered drowning at birth?
This film is truly a magical and inspiring masterpiece. The music, though not dominating, complements the storyline beautifully, adding to the overall charm of the movie. The writing and creativity behind the themes are exceptional, captivating viewers with their inventiveness and originality. The film's blend of creativity, excitement, humor, and heartwarming moments creates an unforgettable cinematic experience. It immerses audiences in a world of make-believe, filled with fun and endless possibilities, while also conveying important messages about family and honesty. I highly recommend this movie for its enchanting storytelling and captivating themes. Among various adaptations, the new interpretation of Wonka in the prequel stands out as a favorite, surpassing previous versions. The Johnny Depp rendition, in contrast, is criticized as being disappointingly lackluster and detrimental to the franchise's reputation. Overall, this film is a delightful and enchanting journey that resonates with viewers on multiple levels. Its ability to entertain, inspire, and evoke emotions makes it a standout piece of cinematic artistry that is sure to leave a lasting impression.
When old-school monsters Frank, Drac and Wolf are deemed "fun" by a court of elders, they're ordered to scare a suburban family or risk a sentence of party entertainers for eternity.
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Siblings Lucy, Edmund, Susan and Peter step through a magical wardrobe and find the land of Narnia. There, they discover a charming, once peaceful kingdom that has been plunged into eternal winter by the evil White Witch, Jadis. Aided by the wise and magnificent lion, Aslan, the children lead Narnia into a spectacular, climactic battle to be free of the Witch's glacial powers forever.
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
Germany director Dani Levy filmed this comedy about Jewish life in today’s Germany along side the familiar east-west conflict. With it great success this film is a joyful comedy of humor and knowledge.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.