MxPx - Both Ends Burning

Charlie Sloth has been on a road trip to find the hottest rappers up North and try to understand why rap music in the U.K is dominated by the London scene. He's travelled from Newcastle to Liverpool, Manchester to Sheffield, Huddersfield to Leeds; spent time in boxing gyms with aspiring MCs, and met feared battle-rappers working the night-shift in Morrisons. Featuring Shotty Horroh, Bang On, Tez Kidd, Hoodman, The Projekt and Sermstyle.

A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera

Directed by Marianne Chaud

160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.

Documentary on the 25 years of the extinct Portuguese Punk Rock band Censurados.

‘Get Better – A Film About Frank Turner’ was directed by friend Ben Morse, and follows Frank Turner and his band The Sleeping Souls for a year on the road, but the band swiftly came off the road – and Frank came off the rails before recovery.

A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.

Live: Right Here, Right Now. is the one and only live album by American hard rock band Van Halen, released in 1993. The album combines songs performed over two nights in May 1992 at the Selland Arena in Fresno, CA. The bulk of the songs on this album were from the first night, such as the solos performed by Eddie Van Halen and Sammy Hagar.

At the heart of the Central Train Station in Tel Aviv stands a grand piano. It watches over the traffic moving to and from the docks, seemingly hearing and seeing everything from its own point of view. For some, the piano is a regular stop on their commute. Others, occasional travelers, encounter it in this unexpected space, inviting them, subject to their will. There, in the most bustling place is a piano that makes people take off their earphones and take part in something magical that requires no words. The piano is unplugged, the people unplug. How many of those who sit and play manage to transcend the external noise, reflecting in a different and challenging way the reality we live in, allowing us to look into ourselves?

Princess Nokia is unafraid. During the 16-minute film directed by Orian Barki and produced by The FADER, the self-proclaimed New York aficionado commands the sidewalks of the Lower East Side and East Harlem. There's footage of intimate recording sessions, shots of some of her most beloved local spots, and vulnerable stoop conversations that all show the city's important connection to her work.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.