The Way Steve Jobs Changed the World

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

Love Notes to Newton is a film about what a beloved (but short-lived) pen-based Personal Digital Assistant created by Apple Computer has meant for the people who used it, and the community who adore it.

Through interviews with colleagues and others who knew the creative genius whose innovations transformed the lives of millions, ONE LAST THING provides an inside look at the man and the major influences that helped shape his life and career.

When it comes to animation, few do it better than Pixar and Disney. They are the dreamers and doers with multi-billion dollar imaginations. Bloomberg television takes you behind closed doors to see how this powerhouse makes movie magic.

Few men have changed our everyday world of work, leisure and human communication in the way that Apple founder, Steve Jobs, has done. This documentary looks not only at how his talent, his style and his imagination have shaped all of our lives, but also at the influences that shaped and moulded the man himself. Since his untimely death, tributes from around the world have secured Steve's place in the pantheon of great Americans. Now, we talk to the people who changed the man, who changed our world. Through interviews with the people who worked closely with him or chronicled his life, we gain unique insight into what made him tick. In a never before broadcast, exclusive interview, Steve Jobs expounds his own philosophy of life, and offers advice to us all on changing our own lives to achieve our ambitions, our desires and our dreams.

The story about the men who made the world of technology what it is today, their struggles during college, the founding of their companies, and the ingenious actions they took to build up the global corporate empires of Apple Computer Inc. and Microsoft Corporation.

The story of Steve Jobs' ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.

Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.