The Ralph Stanley Story

Johnny Cash stands among the giants of 20th century American life. But his story remains tangled in mystery and myth. This documentary brings Cash the man out from behind the legend.

Southern indie rockers Lucero hit the road in this documentary, which shows the Memphis, Tennessee band on tour and in the studio. In addition to candid interviews with band members Ben Nichols, Roy Berry, John Stubblefield and Brian Venable, the video features footage of the band on tour with The North Mississippi All-Stars, in the studio for the recording of "Tennessee" and performing live at the Memphis in May Music Festival.

Capturing the sights, sounds, and magic of Carlton Haney’s 1971 Labor Day Festival in Camp Springs, North Carolina; a three-day outdoor festival—the first of its kind—featuring bluegrass veterans and future stars alike sharing the primitive wood and cinder block stage. More than just capturing one of the largest bluegrass festivals of that decade, this documentary is also an interesting mixture of live performances, interviews, impromptu jam sessions and crowd footage of live music set in a small town surrounded by the now long gone red clay and tobacco shacks of North Carolina.

Neil Hamburger is a two-bit stand-up with a bad comb-over-an aging, phlegmy jokester with a penchant for cheap celebrity jabs. He's also the brilliantly odd creation of Gregg Turkington, a decidedly more gifted comedian who has found a loyal cult following for his Tony Clifton-esque character. In this concert release, Hamburger performs a handful of twangy country tunes alongside the Too-Good-For-Neil-Hamburger Band, a name that speaks the truth: the back-up group includes veteran rockers Prairie Prince, David Gleason, and Atom Ellis.

The story of the American music dynasty, the Carters and Cashes, and their decades-long influence on popular music.

Documentary portrait of Joy McKean, Australia’s Queen of country music. Follows her performance and songwriting career, decades of touring around Australia, and her marriage of more than 50 years to fellow musician Slim Dusty.

There are only a few Bluegrass Boys still around that played with the Father of Bluegrass, Bill Monroe. Peter Rowan was a bluegrass boy in the 1960's for only a short time, but Bill's influence and musical knowledge still resonates with Peter. Even as he branched out into his own music after leaving Bill's band, his bluegrass roots were never far away. This portrait of Peter expands beyond his music to his artistic and spiritual endeavors spanning four decades giving the viewer an in-depth look at a true legend within our Americana musical history. His lyrical quality and melodies are memorable; influencing the next generation of musicians, sharing what Bill taught him and what he has learned being a troubadour traveling the world.

Originally recorded on October 23, 1988 and edited for a 30-minute broadcast, Austin City Limits and New West Records have collaborated to release this sparkling performance given by Dwight and his early band, in its entirety. The audio has been re-mixed and re-mastered in stereo and 5.1 surround. Special guests include Buck Owens and Flaco Jimenez.

Father John Misty performs a career spanning setlist at The Ryman in Nashville, TN, during the tour for his 5th studio LP, Chloë and the Next 20th Century

Sure, Elvis was the King, but who was the Queen? The Women Of Rockabilly – Welcome To The Club is a documentary search for the "Female Elvis", as we meet the women of rockabilly music and explore the "what-if’s?" and "what-now’s" of their careers. Brenda Lee, Wanda Jackson, Janis Martin and a sassy cast of lesser but no less colorful pretenders to the throne describe their trailblazing days when they were the embodiment of exuberance, sexuality and defiance in a world that wasn’t quite ready for them. A rockin’ feature documentary by Beth Harrington.

The Eagles performed live for the first time in April 1994 after a fourteen-year-long hiatus. Their reunion album’s name was in reference to Don Henley’s quote after the band’s breakup in 1980, when he commented that they would only play together again “when Hell freezes over”. Recorded at the Warner Bros. Studios in Burbank, California for an MTV special, the live sessions produced eleven tracks for the album, including a new acoustic version of “Hotel California”.