The Last Seduction

An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?

A resourceful boy creatively uses poetry to survive when his mother, a disturbed avant garde painter, locks him in a puppet box and builds an art installation around his imprisonment.

Karolina (Katarzyna Zawadzka) works in a bank, she is energetic, self-confident, go-getting. When the latest currency product comes into her hands - a loan in Swiss francs, the woman gets a great chance to prove herself. Having the full consent of his boss - Adam (Tomasz Karolak), he unscrupulously starts persuading clients to take the most risky and unfavorable investments. Jan (Jan Frycz) is the gray eminence of the Polish financiers. In his phone, he has contacts to the presidents of the largest banks in Poland. His cynical ideas and decisions affect the economy and the fate of hundreds of thousands of people overnight. Such as Artur (Rafał Zawierucha) - an ambitious head of an IT company who decides to use currency options to develop his business. His partner is Mateusz (Antoni Królikowski), who dreams of independence, his own place and the longed-for move away from his in-laws.

Film about an epidemic outbreak of a new rabies virus in Venezuela and a father trying to save his son from contagion. A Russian man is in Caracas under the influence of the Krokodil drug, when he gets infected with the rabies virus and starts an epidemic of aggressive and cannibalistic beings. Doctor Adam Vargas is in the midst of all this, when he begins a journey within a ravaged Venezuela to save his son from being infected.

Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their against-the-clock hunt will make them realise something they’d never imagined: neither of them are so very different from the killer.

Agent Matt Graver teams up with operative Alejandro Gillick to prevent Mexican drug cartels from smuggling terrorists across the United States border.

Mike Sullivan spends his nights kidnapping runaways so his boss, Lamar, can turn them into prostitutes. He is a crack addict and a thief and he is in love with a resentful prostitute, Rhonda, who doesn't love him back. Although he has aspirations of escaping this world, it isn't until he is nearly killed by corrupt cops for stealing money from his boss that he decides to redeem himself. In an attempt to save his own soul, he tries to get Rhonda out of the business, and is forced to battle Lamar and his henchmen, as well as Rhonda's unwillingness to change. As punishment for betraying Lamar, Mike is forced into a series of misdeeds, and in a shocking ending, must commit unredeemable acts as he tries to save Rhonda and himself.

A mute man with a violent past is forced to take on the teeming underworld of a near-future Berlin as he searches for his missing girlfriend.

A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows have nothing in common except a debt left behind by their spouses' criminal activities. Hoping to forge a future on their own terms, they join forces to pull off a heist.

Sleazy music promoter Boojie Baker convinces a pop band to come work for him. He arranges play dates, publicity, record contracts, and the band's loyalty by getting his hired girls to exercise their feminine charms on all who stand in his way. Thus he creates the new music sensation, The Big Blast, but the band is unhappy about Boojie keeping most of the money. When they try to leave, Boojie sets them up for trouble with the law, but offers to bail them out if they sign the contract. Can't anyone stop this scum bucket?

In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.