The Lost People

Madeline has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.

Her goldfish dead, her lover exposed as a rat, Shawn Holloway leaves her bank post and goes to the roof intent on suicide. Before she can leap, she's taken hostage by Charlie Anders, a fleeing bank robber. He and his partners have stolen a million in cash and plan to escape to Venezuela. Shawn agrees to cooperate if Charlie promises to kill her once he's in the clear. Parts of the plan go awry, so Charlie has time to try to pierce her bleak manner and self pity, and she has time for reflection. As night falls, their interlude ends: they're each alone, Charlie facing prison as the police close in, and Shawn staring down at a river from atop a high bridge.

A powerful, intimate portrait of three women living in the same house during different eras who all face unplanned pregnancies. The vignettes follow a recently widowed nurse struggling to take control of her life in the early 50s, a mother of four balancing raising a family and maintaining a career in the 70s, and a student making a difficult decision with the help of one woman that will change the course of both their lives in the 90s.

Moa is in her early 20s, works at a factory and lives by herself in a cottage in the forest. She is a vegan and follows her friends and demonstrations, mostly to fit in. But at home, by herself, she listens to pop music and use make-up.

A princess is determined to restore her homeland's throne to its rightful heir, a young prince with whom she falls in love.

A 16 years old Olga is dreaming about leaving house when suddenly she meets a mysterious man who is ready to join her.

Chávez, Dali and Pepe belong to a middle class family who spends the Easter holydays at the beach.

Three estranged sisters deal with the death of their father.

It's Bernard's birthday, but he is not happy about it. In a strange world where adults are selfish and indifferent, his parents never accepted him as a child. Bernard doesn't want to grow up if it means to become like them. So he creates a suit that stops his growth. The day he reaches 10 years of age, Bernard will confront his parents and his whole world.

An empty, undefined world. Gabriela (70) is seriously ill. By all means she tries to keep alive, to escape from her own death. In her suppressed and rising fear of death she refuses any moral argument. Gabriela becomes an animal.

Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di Mare, presents a uniquely engaging portrait of family, community and gender roles in a 19th century Italian village.