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GRAND SUMO Highlights - (Sep 16th)
My Mum, Your Dad - (Sep 16th)
Never Mind the Buzzcocks - (Sep 16th)
Escape to the Country - (Sep 16th)
Letters and Numbers - (Sep 16th)
Deal or No Deal - (Sep 16th)
The Chase Australia - (Sep 16th)
The Answer Run - (Sep 16th)
Panorama - (Sep 16th)
Epleslang - (Sep 16th)
Van der Valk - (Sep 16th)
Bargain Hunt - (Sep 16th)
The Amazing Race Australia - (Sep 16th)
The Cook Up with Adam Liaw - (Sep 16th)
Garden Rescue - (Sep 16th)
Married at First Sight UK - (Sep 16th)
Paranormal Caught on Camera - (Sep 16th)
No Gain No Love - (Sep 16th)
60 Minutes - (Sep 16th)
The Killer in My Family - (Sep 16th)
This uneven and uninspired documentary of Africa is a collection from various stock footage. Female dancers in mod clothes dance on the Eiffel Tower in comparison to the primitive dances of native Africans. A lone runner trains for a marathon, and a few animals are shown in their natural habitat. Commentary and modern jazz and pop music help to make this seem much longer than 66 minutes.
Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.
Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.
Successful model Samira Hashi makes an emotional return to Somalia, one of the most dangerous places in the world and the place she was born. Civil war broke out in 1991, 10 days after Samira's birth, but two years later her family managed to flee the country and she grew up in the UK.Now, as Samira and the war both turn 21, she's going back for the first time to visit the people and places she left behind. The contrast with her safe and glamorous life in London could not be starker as she experiences firsthand the war's effect on a generation of young people growing up in conflict.
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
The forgotten story of Martin and Osa Johnson, rebel filmmakers and Kansas natives who made some of the first films in Africa in times when filming itself was more dangerous than lions or malaria.
Short documentary about the Sahara-dwelling Toubou, a tribe in which the women are treated as equals by the men.