Veelinnurahvas

For centuries, Stonehenge has been cloaked in mystery. Who built it? How did they do it? Why did they do it and what is its significance? Now, a team of archaeologists takes a high-tech approach to find out, and their discoveries will exceed all expectations. Learn the full story of the world's most investigated prehistoric site, featuring a forgotten people who were meticulous planners, profound believers and true warriors. It's a 10,000-year-old tale, pieced together by state-of-the-art survey equipment and compelling archaeological evidence.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

The film follows Ongka's struggles to accumulate huge numbers of pigs and other items of value to present at a Moka ceremony to another tribe.

Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Huelva, Spain, an isolated region lost in time. The grass, the sand and the sky are the same that those foreigners saw in the spring of 1895, when they crossed the sea from a distant country to mark the unspoiled terrain and extract its wealth, when the tower was new, when people could climb to the top of the highest dune and imagine that the city of Tartessos was still there, in the distance, almost invisible in the morning brume.

Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural relationships of the Finno-Ugric peoples. Finns, Vepsians, Votes, Setos, Erzya-Mordvinians, Mansi, Hungarians, Sami, Nganasans, and Estonians appear in the film. The film was shot in 1977 on location in northern Finland, Sapmi, Vepsia, Votia, Mordovia, Khantia-Mansia, Hungary, the Taymyr Peninsula, the Setomaa region in Estonia, and on the Estonian islands of Saaremaa and Muhu. Footage was also shot in 1970 in the Nenets Okrug. The second documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

A three-act film-essay about memory and the historical-cultural ties of the Finno- Ugric peoples. The first chapter is dedicated to ancient Bearese of memory, such as Karelian cliff drawings, Kalevala runo song and Khanty bear feast rituals. the second act portrays the visit of Elias Lonnrot, compiler of the Finnish national epic Kalevala, to Estonia and his meetings with local intellectuals. Part three re-enacts an ancient smelting and blacksmith ritual set to Veljo Tormis' cantata 'curse upon iron'. Filmed in 1985 in Uhtuo, Karelia; in Khantia-Mansia at the Agan river, a tributary of the Ob; and in Estonia (Tallinn, Kuusalu, Tartu, Voru, Litsmetsa in Voru county, Lullemae, Karula, Rongu, Narva, and at a bend of the Pirita river). The third documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

"Shaman" was filmed on July the 16th, 1977 in the northernmost corner of Eurasia, on the Taymyr Peninsula, at the Avam river, concurrently with the shooting of the documentary "The Winds of the Milky Way". The Nganasan Shaman Demnime (1913-1980) was 64 years old at the time. The documentary about Demnime's incarnation ritual was completed 20 years later. The fifth and final documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Uricarum" series.