The Lady of the Lake 2024 - Movies (Nov 27th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Our Little Secret 2024 - Movies (Nov 27th)
The King Tide 2023 - Movies (Nov 26th)
Alien Romulus 2024 - Movies (Nov 26th)
Anthony Jeselnik Bones and All 2024 - Movies (Nov 26th)
Ballistic 2024 - Movies (Nov 26th)
Letters at Christmas 2024 - Movies (Nov 26th)
Elevation 2024 - Movies (Nov 26th)
Conclave 2024 - Movies (Nov 26th)
Here 2024 - Movies (Nov 26th)
Watchmen Chapter II 2024 - Movies (Nov 26th)
The Wild Robot 2024 - Movies (Nov 25th)
To Have and to Holiday 2024 - Movies (Nov 25th)
National Theatre Live Vanya 2024 - Movies (Nov 25th)
Witches 2024 - Movies (Nov 25th)
The Great Canadian Baking Show - (Nov 27th)
The Kelly Clarkson Show - (Nov 27th)
House of Payne - (Nov 27th)
Tyler Perrys Assisted Living - (Nov 27th)
Listing Melbourne - (Nov 27th)
Joselines Cabaret Texas - (Nov 27th)
The Chase Australia - (Nov 27th)
Question Everything - (Nov 27th)
Northwoods Survival - (Nov 27th)
The 11th Hour with Stephanie Ruhle - (Nov 27th)
WWE NXT - (Nov 27th)
Letters and Numbers - (Nov 27th)
Outback Truckers - (Nov 27th)
The Chase - (Nov 27th)
Unreported World - (Nov 27th)
Life Below Zero - (Nov 27th)
Rip Off Britain - (Nov 27th)
A Bite to Eat with Alice - (Nov 27th)
Shark Tank - (Nov 27th)
Love Island Australia - (Nov 27th)
"Mr. Knight" (Alfred Drayton) is the archetypal man made good. He walks to his first class railway carriage every morning fêted by the staff and the management. One morning he is prevented from treading on a banana skin on the steps by the struggling mill owner "Blake" (Mervyn Johns) and soon the two are inseparable. "Blake" is ambitious for success - for himself and his large family, and hopes his association with this successful man will bring him good fortune. Initially it does, and they move to big house and acquire the trappings of luxury - but as with anything that looks too good to be true, it usually is. Things take a turn for the worst and the friendship turns sour leaving "Blake" with quite an headache. This is a simple enough story of greed. Not necessarily of the venal sort. In the beginning "Blake" wants his money for his family - a laudable motive, no doubt. Like "Scrooge", though, his character finds the pursuit of wealth addictive. He gradually becomes subsumed by the need to make more, and more. Enough is never enough. When the bottom falls out of his dream, he is bereft - but not just of the cash, but of his integrity and his soul. His children are also quite an effective barometer of the toxicity of wealth too - not least the spoiled and selfish "Freda" (a strong performance from Joyce Howard) and his other daughter "Ruth" (Joan Greenwood). Like many British films made immediately post-WWII, it has a message to it and this well assembled cast delivers it clearly. For a Britain in 1946 - there are few quick wins.
An ambitious New York socialite plans an extravagant dinner party as her businessman husband, Oliver, contends with financial woes, causing a lot of tension between the couple. Meanwhile, their high-society friends and associates, including the gruff Dan Packard and his sultry spouse, Kitty, contend with their own entanglements, leading to revelations at the much-anticipated dinner.
A Wall Street financier fed up with the city drives to the old country homestead where he was born and takes a walk through the orchard. Full of memories he joins in a baseball game with some youngsters during which he sees his boyhood sweetheart passing. Recognizing each other they stroll off together down the rustic lane happy in each other’s company once more.
Movie star Vincent Chase, together with his boys, Eric, Turtle and Johnny, are back…and back in business with super agent-turned-studio head Ari Gold. Some of their ambitions have changed, but the bond between them remains strong as they navigate the capricious and often cutthroat world of Hollywood.
A financier plots to become the richest man in the world by marrying off his daughter to the son of an Arab sheik.
Anna Kalman is an accomplished actress who has given up hope of finding the man of her dreams. She is in the middle of taking off her face cream, while talking about this subject with her sister, when in walks Philip Adams. She loses her concentration for a moment as she realizes that this is the charming, smart, and handsome man she has been waiting for.
J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it out the window, it lands on poor hard-working girl Mary Smith. But it isn't so easy to just give away something so valuable, as he soon learns.
Clement Mastard is the head of a leading journal dedicated to extravagant vaudeville. An unexpected contract requires him to reconnect with his former headliner Celia Bergson part to try to avant-garde theater. It is through this that he met Johann Sebastian Bloch, misunderstood musician who cause the loss but the side which Mastard, the man without scruples, to humanize and eventually produce a real masterpiece, the Missa Solemnis
Ralph suffers from burnout. And is a reptiloid. A film crew portrays the once successful businessman in his cluttered apartment and investigates the question of whether Ralph is really a lizard man who seeks world domination, or a lonely, confused man who is really just looking for love and attention.
Maria (40) strives to balance parenthood and a demanding career while her second husband, Sigmund, frequently travels for work. As the strain of competing needs takes its toll, their marriage begins to unravel. Despite Maria’s desperate efforts to salvage their relationship, Sigmund eventually informs her of his desire for a divorce, forcing her to confront her deepest fears. This revelation propels her into a torrent of grief, anger, and unconscious memories from her own past. Maria eventually realizes that part of the key to understanding her situation lies in her relationship with her own mother and her internal self-image. Through a deeper confrontation with her mother, she finally connects with herself in a way she never knew she lacked. When she meets her husband for a conversation, the pain of abandonment is no longer the same.
Fleeing her violent husband, a mother seeks refuge at a Women's Shelter with her teenage son leading to complications and ending in violence.