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Black Girls 2024 - Movies (Jan 29th)
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Dark Side of the Cage - (Jan 29th)
The Repair Shop - (Jan 29th)
Match of the Day - (Jan 29th)
The Beat with Ari Melber - (Jan 29th)
Murder UK - (Jan 30th)
Deadline- White House - (Jan 29th)
Salvage Hunters - (Jan 29th)
Rocky Mountain Wreckers - (Jan 29th)
Love Island- All Stars - (Jan 29th)
PopMaster TV - (Jan 29th)
The Chase - (Jan 29th)
Deal or No Deal - (Jan 29th)
Katy Tur Reports - (Jan 29th)
Four in a Bed - (Jan 29th)
The Real Manhunter - (Jan 29th)
Come Dine With Me- South Africa - (Jan 29th)
Andrea Mitchell Reports - (Jan 29th)
Chris Jansing Reports - (Jan 29th)
The Bidding Room - (Jan 29th)
Richard Osmans House of Games - (Jan 29th)
On January 6, 2021, Americans witnessed an attack on the U.S. Capitol without precedent in our history. Armed militiamen and QAnon followers made headlines, but among them were a sea of crosses and Christian flags, rosaries and "Jesus Saves" signs. What motivated so many Christians to participate in this violent assault?
An intimate portrait of the nuns of Kala Rongo, a rare and exceptional Buddhist Monastery exclusively for women situated in Nangchen, in remote and rural northeastern Tibet. These nuns are receiving religious and educational training previously unavailable to women, and playing an unprecedented role in preserving their rich cultural heritage even as they slowly reshape it. They graciously allow the camera a never-before-seen glimpse into their vibrant spiritual community and insight into their extraordinary lives. Some shy, some outspoken, all are committed to the often difficult life they have chosen, away from the yak farms and herding families of their birth. It is the story of their spiritual community, one that couldn't have existed 20 years ago but is thriving today.
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
Documentary about three men from Kentucky who claim to have discovered an Old Testament relic for 69-cents at a Madison, Tennessee Goodwill superstore. The men believe that they have found the mysterious Urim and Thummim in the form of a stone cup that allows its users to communicate with God and see visions.
A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
Kevin Jerome Everson and his collaborator Kahlil I. Pedizisai filmed the comings and goings in front of a trap house on Empire Street in Cleveland, Ohio. Loosely inspired by Andy Warhol's 1964 film "Empire," which also runs for eight hours.
The death of a Burkinabé family’s patriarch and the division of his estate unearths conflict between his heirs and larger questions about inheritance, belonging and the communal customs of West Africa versus Westernized courts.