The Silent Planet 2024 - Movies (Mar 7th)
Tuesday 2024 - Movies (Mar 7th)
Plankton The Movie 2025 - Movies (Mar 7th)
CHAOS The Manson Murders 2025 - Movies (Mar 7th)
George A. Romeros Resident Evil 2025 - Movies (Mar 7th)
The Little Mermaid 2024 - Movies (Mar 7th)
Bloat 2025 - Movies (Mar 7th)
Captain America Brave New World 2025 - Movies (Mar 7th)
Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
Woods of Ash 2025 - Movies (Mar 6th)
Agents 2024 - Movies (Mar 6th)
Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
The Road to Patagonia 2024 - Movies (Mar 5th)
Grunt 2025 - Movies (Mar 5th)
The Unbreakable Boy 2025 - Movies (Mar 4th)
The Gutter 2024 - Movies (Mar 4th)
Smile for the Dead An Examination of Spirit Photography 2025 - Movies (Mar 4th)
The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
The Silent Planet 2024 - ()
Tuesday 2024 - ()
Plankton The Movie 2025 - ()
CHAOS The Manson Murders 2025 - ()
George A. Romeros Resident Evil 2025 - ()
The Little Mermaid 2024 - ()
Bloat 2025 - ()
Captain America Brave New World 2025 - ()
Confessions of a Romance Narrator 2025 - ()
Woods of Ash 2025 - ()
Agents 2024 - ()
Barbie and Teresa Recipe for Friendship 2025 - ()
Picture This 2025 - ()
Mozarts Sister 2024 - ()
The Road to Patagonia 2024 - ()
Grunt 2025 - ()
The Unbreakable Boy 2025 - ()
The Gutter 2024 - ()
Smile for the Dead An Examination of Spirit Photography 2025 - ()
The Haunted the Possessed and the Damned 2024 - ()
Benicio del Toro is a better Pablo Escobar than Javier Bardem, the same way Escobar: Paradise Lost is a better film about the drug lord than Loving Pablo – but the latter only marginally. Unlike Bardem, del Toro speaks Spanish throughout, except when addressing Nick Brady (Josh Hutcherson), which makes sense because Nick is Canadian. Moreover, most of the actors in Paradise Lost are Latino or Spanish, and their characters accordingly speak the language of Cervantes. The problem here is that the movie plays like a remake of the Last King of Scotland – and is just about as faithful to reality. Nick has gone surfing in Colombia, where he meets María (Claudia Traissac), and it's love at first sight. Little does Nick know that María is Escobar’s ‘almost-like-a-daughter-to-me’ niece. Yada yada yada the young, wide-eyed foreigner is seduced by the superficially affable and charismatic sociopath, only to discover sooner rather than later that there is no such thing as a free lunch. Now, del Toro can conjure affability, charisma, and sociopathy at the drop of hat, and he doesn't need to be in every scene to steal the movie; conversely, he couldn't save the film even if he did appear in every scene, because the story isn't about him, so Escobar doesn't so much inhabit the movie as he hovers over it, like a bird of prey. As for Nick and María, they are as make-believe as James McAvoy’s character in the Last King of Scotland. We don’t care what happens to them anymore than writer/director Andrea Di Stefano cares about what happens to Escobar, who literally and figuratively gets away with murder.
A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.
Vietnam war hero, accused of murdering his brother, recruits his socialite girlfriend to hunt for the real killer.
A woman with a mysterious illness is forced into action when a group of terrorists attempt to hijack a transatlantic overnight flight. In order to protect her son she will have to reveal a dark secret, and unleash the inner monster she has fought to hide.
Robert Tisdall finds on the beach the corpse of a woman he knew. Others wrongly conclude that he is the murderer. Fleeing, he desperately attempts to prove that he is not the killer. A young woman becomes embroiled in the effort.
Two drug-addicted, incestuous, rich siblings kill a call-boy to make playing cards out of his skin.
Complete strangers stranded at a remote desert motel during a raging storm soon find themselves the target of a deranged murderer. As their numbers thin out, the travelers begin to turn on each other, as each tries to figure out who the killer is.
An unlikely friendship between a dour, working class butcher and a repressed schoolteacher coincides with a grisly series of Ripper-type murders in a provincial French town.
When wistful introvert Alan Furnace meets quick-witted bombshell Beatrice, he has no idea of her secret life as "B. Monkey" - the top thief-for-hire in London's criminal underworld. Charmed by Furnace's innocent and chivalrous ways, Beatrice resolves to reform. But to cash in on her first chance at real love, she must escape her former partner in crime, the ruthless Paul Neville - and a dark past that seems to haunt her every step.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime syndicates.
Master burglar Max Hopper is released early after three years and soon gets an exceptional job: stealing an advanced computer-chip from the IQ Industries headquarters. His first attempt fails; when he enters in cop uniform during an emergency board meeting, a fire quickly spreads- he considers it a godsend opportunity and stays, but soon has his hands too full saving other lives and just surviving to concentrate on the chip; only the owner, his wife who just filed for divorce and a few employees remain, but it soon turns out one of them stole company secrets but the arsonist and/or another chip-thieves are among them.