Artifact from the Future: The Making of 'THX 1138'

Comments from composers Richard and Robert Sherman.

A man wanders around an abandoned hospital. Years after their last encounter, someone whose life he saved seeks him out in his old office, so that together they can piece together a memory of their shared past.

This beautiful and poignant film was commissioned by TENI (Transgender Equality Network Ireland) and is a conversational piece which explores gender identity and transgender experiences in Ireland.

A filmmaker and rapper duo revive Michel Gondry’s “Be Kind Rewind” protocols - a set of filmmaking “rules” with which groups of strangers can conceive, shoot, and screen a film in just two and a half hours. Against the grim backdrop of the stringent Shanghai lockdown, the event soon turns into a sanctuary for individuals to forge collective dreams.

A documentary about the making of Ari Aster's Kafkaesque epic Beau is Afraid.

Featuring Interviews with Noel Cunningham, Sean S. Cunningham, Kane Hodder and Todd Farmer. Discussions include writing and pre-production, the influence of Scream's success on the film, early concepts for the film, settling on outer space, plot and setting details, shooting 3-perf film, visual effects, ditched concepts, über Jason, audience reaction, and more.

Moscow, January 1948. In the bitter cold, a large crowd attends the State Funeral of the Yiddish actor and director Solomon Mikhoels. An official proclamation mourns the death of "a great People's Artist of the Soviet Union." What people are really mourning is the death of the most popular Jewish theater in the Soviet Union, and the man who kept it alive against all odds for over 20 years. No doubt many suspected the truth: he had just been assassinated by Stalin's secret police.

The documentary of Kill Bill Vol.2, and how it was made. This is a documentary found on the DVD of Kill Bill Vol. 2. It consists of interviews, behind-the-scenes footage, and clips of the movie.

The cast and crew talk about the core themes of the film and the seeds of the film.

A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.