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Weeping Wit. Cry Danger is directed by Robert Parish and written by William Bowers from a story by Jerome Cady. It stars Dick Powell, Rhonda Fleming, Richard Erdman, Regis Toomey and William Conrad. Music is by Paul Dunlap and Emil Newman and cinematography by Joseph F. Biroc. It often makes for most interesting conversation in film fan circles, that of film noir, what constitutes it? what does each viewer demand? what is your favourite strand to this most desirable style of film making? Rarely does a group of noir heads agree wholesale, which of course only further strengthens the argument on why many love it so. I raise this as a point of opening reference because the first review of Cry Danger that I happened upon questioned its noir worth! Madness I tell you... Plot is on the surface simplicity, Rocky Mulloy (Powell) is a man wrongly imprisoned for five years and he's now out and now out to nail the real perpetrator of the crime. Cops are interested in his whereabouts, as they are the missing money from the crime he was locked up for. So far so standard crime revenger then? Not so for we are in noirville, in a less affluent part of Los Angeles, where the tale is spun out from the center point of a trailer park. Here we find Mulloy armed with calmness, toughness and always a dry quip on the lips. He's accompanied by Delong (Erdman), a crippled alcoholic army veteran, himself full of witticisms as he takes his alcoholism in a resigned stride. The cops are led by Detectice Lt. Gus Cobb (Toomey), a wise head, grizzled and not shy of razor sharp dialogue himself. And the babe of the piece, Nancy Morgan (Fleming), she's an ex of Mulloy, but husband of Mulloy's pal, a man who himself is rotting in prison for the crime at the core of this all. Add in creepy mustachioed villain Louie Castro (Conrad) and a weasel ukulele playing trailer park manager (Jay Adler), and you get a noir stew ripe for sampling. As the dialogue pings about the story with waspish glee, the narrative holds tight via strong thematically noir traits such as greed and betrayal, with the added bonus of an ending worthy of the noir name. Production wise it's a job well done, the moderate budget not a worry, in fact it's only come the end of the show you realise you just had a pic running at 80 minutes that was without padding and pointless filler. All scenes are relevant here, and such is the sharpness of this character driven piece, you need to hang on every word and character interactions and reactions. In an ideal world there would be a ream of chiaroscuro to aid the mood, but Biroc and Parrish show skills to compliment a number of scenes via lighting and useful back and foreground locations. Cast are on top form, led by a superbly laconic Powell (sarcasm in a suit), to which this rounds out as one for noir lovers to put on their to see lists. 8/10
The boys get arrested for robbing an ATM machine and spend 18 months in jail, upon release they decide to pull off "The Big Dirty", a plan to steal a large amount of coins because they are untraceable and quit their life of crime forever.
The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
Framed for the murder of her husband, Libby Parsons survives the long years in prison with two burning desires sustaining her - finding her son and solving the mystery that destroyed her once-happy life. Standing between her and her quest; however, is her parole officer, Travis Lehman. Libby poses a challenge to the cynical officer, one that forces him to face up to his own failings while pitting him against his superiors and law enforcement colleagues.
A campy pulp-noir following two estranged twin brothers, a cosplaying femme fatale, and a sexually-charged phone caller linked to a mischievous set of pookas.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.
Harry Doyle and Archie Lang are two old-time train robbers, who held up a train in 1956 and have been incarcerated for thirty years. After serving their time, they are released from jail and have to adjust to a new life of freedom. and soon realize that they still have the pizzazz when, picking up their prison checks at a bank, they foil a robbery attempt.
A journalist duo go on a tour of serial killer murder sites with two companions, unaware that one of them is a serial killer himself.