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That's what this town's got, an epidemic, a hate, a disease. Ride Out for Revenge is directed by Bernard Girard and written by Norman Retchin. It stars Rory Calhoun, Gloria Grahame, Lloyd Bridges, Joanne Gilbert, Frank DeKova and Vince Edwards. Music is by Leith Stevens and cinematography by Floyd Crosby. A black and white Civil Rights Oater, Ride Out for Revenge has good intentions and no little amount of dramatic worth. Not everything works, as it's certainly portrayed in simplistic terms, but the anti-racist core of the story is worthy of viewing investment. We are in the town of Sand Creek and the inhabitants are all bitter victims to the Indian Wars. One man stands alone in Sand Creek, Tate (Calhoun), a one time superlative Indian Fighter who now finds himself in love with a Cheyenne woman and firmly of the liberal mind that war has no favourite side: Misery is equal regardless of race, creed and colour. But can Tate avert an impending massacre that is brewing because of bile strewn hatred? Sand Creek is the base for Capt. George (Bridges), a cowardly drunkard who just wants the Cheyenne out of the Black Hills and down to some army governed reservation. But when cold blooded murder rears its ugly head, and tragedy strikes on both sides of the fence, Sand Creek approaches its day of reckoning. The Wages of Sin, eh Captain? There's no great production value on offer but the film still looks splendid thanks to Crosby's (High Noon) photography. Thematically it's a formula that even by 1957 was hardly original, but the under valued Calhoun oozes enough stoic machismo and emotional conflict to really engage those interested in the Civil Rights side of this period in history. Though the fact that he is lusted after by the twin beauties that are Gloria Grahame and Joanne Gilbert marks him out as one lucky dude! Maybe you's like to know what a savage girl does when her savage father's murdered? She cries. She cries just as hard as you did when John was killed. Is it preachy? No, it isn't. It's a viable narrative doing the best it can on a "B" budget. It should be noted that it very much beats the drum for both sides, it makes sure we know that all parties are scarred by the horrors of this distasteful war. OK! So it wont give the superior Devil's Doorway a run for its money, or even be fit enough to tie the boots of Broken Arrow, but it shouldn't be readily dismissed as weak "B" movie fodder. Besides, it has enough character interest and an extended knife fight by the river to make it at the very least a time waster for the Western faithful. 6.5/10
A Montana bounty hunter is sent into the wilderness to track three escaped prisoners. Instead he sees something that puzzles him. Later with a female Native Indian history professor, he returns to find some answers.
After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two years and whose sympathies lie more with them than with the US government. Together, they must try to reach the cavalry's main base camp. As they travel onward, Honus is torn between his growing affection for Cresta.
Jack Crabb, looking back from extreme old age, tells of his life being raised by Indians and fighting with General Custer.
Opposing his commanding officer's decision to attack a group of innocent Indians and wipe them out, Lt. Frank Hewitt leaves his post and heads home to Texas. He knows that the attack will send all of the tribes on the warpath and he wants to forewarn everyone. He gets a chilly reception back home however. With most of the men away having enlisted in the Confederate army Frank, a Union officer, is seen by the local women as a traitor. He convinces them of the danger that lies ahead and trains them to repel the attack that will eventually come.
Rod Cameron stars as frontier scout Tim Clay, assigned to guide a wagon train through Indian territory. Clay knows that he's in for a lot of trouble because of the treaty-violating activities of white criminals Pickett and Keane. Fortunately for the hero, Pickett and Keane double-cross each other somewhere along the line, weakening their ability to foment an all-out Indian attack.
Roy is a newspaper reporter. He goes to Cheyenne to cover the activities of supposed bad guy Arapahoe Brown. Roy, of course, discovers who the real bad guy is.
The story of the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s. The mission is threatened when a civilian surveyor befriends the chief's son and falls for the chief's daughter.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
When Ferrel White-Owl moves to a small Midwestern town, he falls for a girl who's father objects to their relationship.
In post-Sept. 11 Los Angeles, tensions erupt when the lives of a Brentwood housewife, her district attorney husband, a Persian shopkeeper, two cops, a pair of carjackers and a Korean couple converge during a 36-hour period.