Ama Lur

The documentary tells the story of six friends who fought against compulsory military service in the Basque Country. They were all imprisoned for refusing to perform military service, and they all preferred prison to the army. They showed great courage and stubbornness, until they managed to win the antimilitarist struggle against the Spanish State.

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

A documentary view of the Basque ball-game in which a small hard leather ball is hit against a wall. The film gives an impression of the game itself and of those who play it, not only the star performers (and the myths that surround them), but also those who just play in the streets and alleyways. The film sees the game it its cultural context and conveys the emotions and stories that are peculiar to the Basque country.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.

The turbulent story of the Lagun bookstore — located in San Sebastián, in the Basque Country, Spain — is a powerful tale of courage, resistance and struggle; first against the Franco dictatorship, then against the terrorist gang ETA and its numerous and sinister acolytes.

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

The story of how a humble Basque rural sport called zesta punta —or jai alai— was successfully exported from the Basque Country to nations as different as Egypt, China, the Philippines, Cuba, Mexico or the United States. In these places, the pelotaris were considered true artists at the fronton. But the splendour of the jai alai, the happy feast, could not last forever.

Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.