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Army Chaplain Slain! Red Light is directed by Roy Del Ruth and adapted to screenplay by George Callahan from the story This Guy Gideon written by Don Barry. It stars George Raft, Virginia Mayo, Raymond Burr, Harry Morgan and Gene Lockhart. Music is by Dimitri Tiomkin and cinematography by Bert Glennon. Something of an oddity, Red Light finds George Raft up to his neck in religion, revenge and a smouldering Virginia Mayo. After his brother, a chaplain, is murdered, he sets off to find the killer, whom can be identified by a message scrawled in a Gideon Bible. Find the Bible, find the killer. It is brought into the film noir sphere of things via Glennon’s photography, which kicks in at the hour mark and runs concurrent with the murky thematics in the narrative, Frisco a rain sodden place of sleaze. Other than that it plays more as a crime drama, albeit one with some decidedly spicy killings and another top villain turn from Raymond Burr. Tiomkin’s musical cues are strange and not always in sync with what is happening on screen, while the biblical hermeneutics and various plot contrivances irk rather than perk. See it for Burr and Glennon’s work, or if you fancy a weird blend of noir and ethical religio redemptions! 6/10
This is quite an intriguing crime noir, with George Raft as the owner of a trucking company out to avenge the murder of his brother - a priest. We know from the start who is responsible for the crime, so the film provides us with a front row seat as he sets about tracking down the culprit. It's quite a thoughtful story, a bit more sophisticated that your run of the mill vengeance tale. Raft plays his part well enough (he is a bit wooden at times), as do Virginia Mayo and Raymond Burr helping to build up quite a decent degree of tension, and when Raft ("Torno") does eventually discover what happened that night, he must reconcile the last wishes of his brother with his own visceral desire for revenge... The staging is a little too theatrical, Raft often paces from spot to spot as if he were following cues on stage, but the lighting and storm effects at the end contribute to the overall atmosphere of the drama, and it has a suitably striking conclusion.
A man gets in trouble when he accidentally kills and covers up a murder of a girl he meets after a big fight with his wife.
Cliff is the leader of an enterprise he runs with his two best friends. His time in the life has taken a toll and he's eager to run away with his girlfriend Stephanie. They have a plan, but things take a dark twisted turn.
A prominent London psychologist seems to have taken his own life, causing stunned disbelief amongst his colleagues and patients. His teenage daughter refuses to believe it was suicide as this would go against all of the principles her father stood for, therefore she is convinced it was murder. She enlists the help of a former patient to try to get to the truth. However, the truth turns out to be both surprising and disturbing.
An average Los Angeles citizen witnesses a gang murder when he stops to use a telephone. When he presents himself to the LAPD as the only person willing to identify the culprits, he opens himself up to a campaign of intimidation from the gang involved.
Undertow stars Scott Brady as a gambler just out of wartime military service. No longer interested in wagers and speculations, Brady wants only to open up a mountain vacation lodge. Before this can take place, Brady is framed for murder, and forced to hide out in the home of Peggy Dow. With the help of Dow and a policeman friend, Brady searches for the real murderer. Watch carefully in Undertow and you'll spot new Universal contractee "Roc" Hudson as a plainclothes detective.
An out-of-work reporter (Leslie Nielsen) seeks out a bank robber, and his bride (Colleen Miller) has to rescue him.
While investigating a diamond heist, disgruntled cop Harper falls for Holly, the top suspect's main squeeze. When she convinces him to kill her boyfriend and make off with her and the loot, they start down a treacherous path full of dark surprises.
Set in 19th-century New York, this mystery begins when a Frenchwoman shows up at the home of one of Napoleon's former marshals. The alcoholic man is badly crippled and slowly dying, but this doesn't stop the forthright lady from pushing him to change his will to include his estranged grandson so that he can help out the struggling French Republic. Unfortunately, the dying man's conniving housekeeper and butler, already planning murder to get the money themselves, overhear her and begin plotting her demise.
A reluctant leader heads up a team of seven Christians intent on smuggling Bibles to underground churches in a future America where the Bible is illegal and danger is around every corner.
A petty crook moves to an Ohio town and courts a factory owner's disabled daughter.
