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Bang 2025 - ()
A Line of Fire 2025 - ()
Fear Cabin The Last Weekend of Summer 2024 - ()
Dear Viv 2025 - ()
Tornado 2025 - ()
Unknown Number The High School Catfish 2025 - ()
Splitsville 2025 - ()
Cleaner 2025 - ()
Ship of the Damned 2024 - ()
The Thursday Murder Club 2025 - ()
Ballerina 2025 - ()
The Players 2025 - ()
Au revoir 2024 - ()
Oh Hi 2025 - ()
Sketch 2024 - ()
KPop Demon Hunters 2025 - ()
Together 2025 - ()
Stans 2025 - ()
I Know What You Did Last Summer 2025 - ()
Prepare to Die 2024 - ()
Three National Security whistleblowers fight to reveal the darkest corners of America's war on terror, challenging a government that is increasingly determined to maintain secrecy.
A documentary about the corrupt health care system in The United States who's main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance the more money we make" is the business model for health care providers in America.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother - a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more - culled from 19 years of his life.
A look at the varied new ways Americans are choosing to both find meaning and celebrate life as it comes to an end.
No profession, no say, no freedom of expression. Life as a prince consort is not exactly pleasure taxing. No constitution ascribes any function to the husband of a queen. Nowhere does it say what he must or must not do. A life in the shadow of the crown. Can that go well?
UNCOUNTED exposes how the election fraud that altered the outcome of the 2004 election led to even greater fraud in 2006 and now looms as an unbridled threat to the outcome of the 2008 election. The controversial film examines in factual, logical, and yet startling terms how easy it is to change election outcomes and undermine election integrity across the U.S. Beyond increasing the public's awareness, UNCOUNTED inspires greater citizen involvement in fixing a broken electoral system.
The unique journey of three reserved and endearing teens as they test their limits, discover the meaning of strong connections and live and learn in synch with the natural rhythms of the land and its animals.
Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.