Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Oh Canada 2024 - Movies (Jan 24th)
The Loneliest Road 2024 - Movies (Jan 24th)
The Flight of Bryan 2024 - Movies (Jan 24th)
When Money Breaks FTX 2024 - Movies (Jan 24th)
My Divorce Party 2024 - Movies (Jan 24th)
The Sand Castle 2024 - Movies (Jan 24th)
Grafted 2024 - Movies (Jan 24th)
Werewolves 2024 - Movies (Jan 24th)
This Is the Tom Green Documentary 2025 - Movies (Jan 24th)
Star Trek Section 31 2025 - Movies (Jan 24th)
Presence 2025 - Movies (Jan 23rd)
Kaathal - The Core 2024 - Movies (Jan 23rd)
Midas Man 2024 - Movies (Jan 23rd)
Flight Risk 2025 - Movies (Jan 23rd)
Juror #2 2024 - Movies (Jan 22nd)
Never Look Away 2024 - Movies (Jan 22nd)
River of Blood 2024 - Movies (Jan 22nd)
Somm Cup of Salvation 2024 - Movies (Jan 22nd)
Wizards Beyond Waverly Place - (Jan 25th)
Casualty - (Jan 25th)
Rip Off Britain - (Jan 25th)
NFL Icons - (Jan 25th)
Penn and Teller- Fool Us - (Jan 25th)
Masters of Illusion - (Jan 25th)
Mysteries Unearthed with Danny Trejo - (Jan 25th)
The UnBelievable with Dan Aykroyd - (Jan 25th)
Cold Case Files - (Jan 25th)
The Chocolate Queen - (Jan 25th)
Farming Life in Another World - (Jan 25th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but too obscure in many points to be understood. The main protagonists are a young taxi driver - a man who has had some very unusual, puzzling, and inspirational experiences - and a middle-aged painter he gains as a new friend. The two men are complemented by a few tough women (all played by the same actress), a pair of verbose politicos, and a handful of other distinctive characters. By the end of the movie, transformations are in store for the pair of friends, reflecting the tenor of the film throughout. ~ Eleanor Mannikka, Rovi
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”
In the final days of the American Civil War, an emigre Hungarian military officer attempts to map the situation of the enemy. Many veterans of the 1848 War of Independence in Hungary fought on the northern side. Experienced Fiala, Boldogh who struggles with homesickness and the reckless Vereczky all experience their enforced emigration in different ways and news of impending peace elicits different reactions from them all.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.
Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)
After Charlie takes an unknown psychotropic drug, she and her secret lover are transported to a strangely sinister paradise.
Levin lives in his memories and can't shake his first love. Caught in a spiral of constant changing memories he figures out what he really did. Meanwhile his boss forces him to join an elite group of brokers, who meet to fight each other on weekends. Those meetings are a counter balance to their stressful jobs. Levin decides that his big ego doesn't deserve to live. But instead of going through with this decision, he escapes again, risking the life of his boss during one of the fight weekends.