Frontiers 2023 - Movies (May 3rd)
Ordinary Angels 2024 - Movies (May 2nd)
The Instinct 2024 - Movies (May 2nd)
All Fun and Games 2023 - Movies (May 2nd)
Godzilla Minus One 2023 - Movies (May 2nd)
Tommy Tiernan Tomfoolery 2024 - Movies (May 2nd)
Turtles All the Way Down 2024 - Movies (May 2nd)
The Idea of You 2024 - Movies (May 2nd)
Secrets of the Neanderthals 2024 - Movies (May 2nd)
Creating a Universe - The Making of Rebel Moon 2024 - Movies (May 2nd)
Justice League Crisis on Infinite Earths Part Two 2024 - Movies (May 2nd)
The Contestant 2023 - Movies (May 2nd)
Boy Kills World 2023 - Movies (May 2nd)
Arcadian 2024 - Movies (May 1st)
Down the Rabbit Hole 2024 - Movies (May 1st)
A Million Days 2023 - Movies (May 1st)
Resurrected 2023 - Movies (May 1st)
This Never Happened 2024 - Movies (May 1st)
The Peasants 2023 - Movies (May 1st)
Sick Girl 2023 - Movies (Apr 30th)
The Portable Door 2023 - Movies (Apr 30th)
Greys Anatomy - (May 3rd)
9-1-1 - (May 3rd)
So Help Me Todd - (May 3rd)
Down Home Fab - (May 3rd)
Sugar - (May 3rd)
Franklin - (May 3rd)
The Young and the Restless - (May 3rd)
The Price Is Right - (May 3rd)
Law dis-Order - (May 3rd)
The Beat with Ari Melber - (May 3rd)
The ReidOut - (May 3rd)
Lets Make a Deal - (May 3rd)
The Talk - (May 3rd)
Young Sheldon - (May 3rd)
Station 19 - (May 3rd)
Elsbeth - (May 3rd)
The Bold and the Beautiful - (May 3rd)
Clarksons Farm - (May 3rd)
Ghosts - (May 3rd)
Love Triangle - (May 2nd)
Magic opera, Singspiel, a comedy with spectacular stage effects, Masonic ritual with Egyptian mysteries, heroic-comic opera? Die Zauberflöte is heard more often and has been more frequently performed, discussed, queried and interrogated than almost any other work in the history of opera. It is rare for the mysteriousness and multiformity of a work to be adjured with such mantric intensity. It is equally rare for a work to enjoy such undisputed success despite all these debates – and for over two hundred years at that.
Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.
France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror. Likewise, the Revolutionary Tribunal has no need for poets or their girlfriends, especially those judged to be an Enemy of the State. Heads will roll.
Part folklore, part opera-ballet, this féerie presents local pagan traditions on the day of the summer solstice and historical events from Cossack times to the more recent 2014 Ukrainian Revolution of Dignity.
Amour, the messenger of the gods, tells Orpheus that he may descend to the underworld and return with Eurydice. His singing has the power to appease the Furies and animate the blessed Shadows. Yet, his voice cannot reassure Eurydice who despairs of the feigned indifference of Orpheus, put to the test by Jupiter. Raphaël Pichon conducts the opera of operas and Aurélien Bory displays the giddiness of the mental and supernatural spaces traveled by Orpheus and beyond. Marianne Crebassa plays a new breeches role with Hélène Guilmette (Hélène in Le Timbre d’argent) and Lea Desandre (the title role in Alcione).
The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'choral grandeur and melodic richness' (The New York Times) in one of the most impressive productions ever seen at the War Memorial Opera House. The cast includes Ramón Vargas, a tenor 'in ravishing voice' (Financial Times), as the philosopher who sells his soul to the Devil; the 'luminous, compelling' Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the 'seductively malevolent' bass-baritone Ildar Abdrazakov, a 'fullbodied bass-baritone' renowned for his 'wonderfully evil portrayals' (The New York Times).
Lumee, one of the two main characters (of the opera p r i s m), sings this aria while smoking outside a nightclub in the second act, providing a window into her selfish fantasies. Not a recorded section of the opera, but a companion piece meant to depict the character's imagined realities.
This short begins with a pair thriving in a lush paradise representing the Garden of Eden. The pair are suddenly uprooted and driven to the unknown: the original sin of slavery. In the end, they dig their roots into the soil and stretch their limbs to the sun, finding new identities, new truths and new power.