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Alex Witt Reports - (Feb 23rd)
Dancing on Ice - (Feb 23rd)
The Great Pottery Throw Down - (Feb 23rd)
Inside with Jen Psaki - (Feb 23rd)
Call the Midwife - (Feb 23rd)
American Masters - (Feb 23rd)
Saturday Kitchen Best Bites - (Feb 23rd)
Sunday Brunch - (Feb 23rd)
The Kelly Clarkson Show - (Feb 23rd)
Earth Odyssey with Dylan Dreyer - (Feb 23rd)
Harlem Globetrotters- Play It Forward - (Feb 23rd)
SkyMed - (Feb 23rd)
Have I Got News for You - (Feb 23rd)
When the Stars Gossip - (Feb 23rd)
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Love Your Weekend with Alan Titchmarsh - (Feb 23rd)
Kimi to Fit Boxing - (Feb 23rd)
Australian Idol - (Feb 23rd)
Class of 92- Full Time - (Feb 23rd)
Never Mind the Buzzcocks - (Feb 23rd)
**De Niro as yet another deluded psycho** De Niro is Rupert Pitkin, a comedian who seeks to be as famous as his hero, Jerry Lewis. Pupkin could be Travis Bickle's equally disturbed brother - both of them living in New York and both of them losing their minds in unison. After much rejection, the crazed Pupkin decides to kidnap his hero and hold him for ransom until a studio gives him a big break. Jerry Lewis is impressive as the total bastard that Pupkin so admires. A disturbing movie that is more relevant nowadays than ever since the advent of the Big Brother tv show which places national attention on people with no talent. - Ian Beale
Martin Scorsese's THE KING OF COMEDY was the lowest-grossing major studio film of 1982. It isn't difficult to see why: It's loaded with uncomfortable situations; there is no obvious protagonist; no sympathetic characters (the one that could potentially get our sympathy turns out to be a thief); and everyone is grating and/or unpleasant (even Tony Randall plays πππ’π¨ππ‘π as a demanding prick). This lack of popularity was the audience's loss, as Paul Zimmerman graced Scorsese with a screenplay which was just as prescient on the topic of fame as Paddy Chayefsky's NETWORK (1976) was on the future of television. In a day and age where television reality shows and online video platforms allow talent-bereft fame-seekers to offer their wares to an anesthetized public, De Niro's Rupert Pupkin displays an uncanny ambition just by leaving his mother's basement, much less his willingness to use crime as a means to his end.
Robert De Niro is great in this enjoyable comedy about the aspiring comedian "Pupkin" who is prepared to go to great lengths to get his moment in the sun. To that end he doorsteps acclaimed chat-show host "Jerry" (the entirely convincing Jerry Lewis) and, not exactly lacking in self-confidence, convinces him to listen to his material. Anything for a peaceable life thinks the star and agrees clearly just to be rid of the man. "Pupkin", though, isn't so easily deterred and what ensues now are a rather darkly comedic series of escapades as the little man determines to get that spotlight - even if he has to turn to lying, housebreaking - even kidnapping. The writing here is taut and entertaining; the characters - especially that of the rather pompous "Jerry" are well crafted by the actors who really seem to be enjoying their roles. Martin Scorsese manages to skilfully keep this on the right side of what could easily have become far-fetched farce. It's the ultimate speculate to accumulate film poking fun at the whole television "opportunity" system, and with the odd sight of an almost unrecognisable Ed Herlihy it all adds up to a fun film to watch and I challenge anyone not have a laugh here.
A bit long-winded, but undoubtedly a very good movie. 'The King of Comedy' has a sturdy Robert De Niro lead performance, as well as solid support from Jerry Lewis and Sandra Bernhard. I enjoyed seeing the split from what actually happens and how De Niro's Rupert Pupkin views things via his dreams; especially with how merged they become by the end. Absolutely zero surprise to now learn that Todd Phillips and Scott Silver used this and 'Taxi Driver' as inspiration when writing 'Joker'. Quite cool though!
Two female con artists from New York City, fleeing the law with money from their latest scam, hide out in a small town in Maine, near the Canadian border. However, this small town's residents aren't quite as unsophisticated as the girls think they are.
It's 1790 and British Naval Commander Redway is driven by greed for money and will stop at nothing to get it. His second in command, David Robinson, questions his allegiance when Redway kills his father and takes his brother prisoner. In order to save his brother and avenge his father's death David must join forces with a band of pirates, led by Captain Bernard, hunt down and kill Redway.
A Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.
When perpetually single, aging music industry exec Harry Sanborn, and his latest trophy girlfriend, Marin, arrive at her mother's beach house in the Hamptons, they find that her mother, playwright Erica Barry, also plans to stay for the weekend. Erica is scandalized by the relationship and Harry's sexist ways. But when Harry has a heart attack while there, and the doctor prescribes bedrest, his only option is to stay at the Barry home. Left in the care of Erica and his doctor, a love triangle starts to take shape.
When a young boy comes in to see a doctor abourt a red mark on his face, the doctor's wife welcomes him into the consulting room instead. As they talk, she offers him something to eat and then notes that his manner of eating is just like that of her previous husband, who died in prison many years earlier. It turns out that the young man had been his cell mate for a year, and he tells her the story of how her husband died. She then remembers (in flashbacks) how she had helped her first husband rid himself of his sexual repression, and how she had promised him she would marry her current husband if she were widowed. It seems her doctor-husband was a man who could remain untouched through any political climate, and was much admired by her first husband. Now that her memories have been awakened by the young man's account, she ignores the repeated phone calls of her current husband and decides to rid this young man of his own sexual repressions.
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
Renegade FBI agent Art Jeffries protects a nine-year-old autistic boy who has cracked the government's new "unbreakable" code.
A tale of a philosophical womanizer who is forced to question his seemingly carefree existence.
The Grinch decides to rob Whoville of Christmas - but a dash of kindness from little Cindy Lou Who and her family may be enough to melt his heart...
The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"βand he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.
A message from Jim Morrison in a dream prompts cable access TV stars Wayne and Garth to put on a rock concert, "Waynestock," with Aerosmith as headliners. But amid the preparations, Wayne frets that a record producer is putting the moves on his girlfriend, Cassandra, while Garth handles the advances of mega-babe Honey Hornee.